Disintegrate the unit!

Margaret Meek (1988) has described how children borrow ideas from literature through ‘unteachable’ lessons. In this article I explore how children's written work might be enhanced through ‘teachable’ lessons, where the teacher draws attention explicitly to aspects of literature and the literary devices used by authors, and where children explore and evaluate literature through group reading and discussion. The interrelationship between children's knowledge and understanding of literature and their writing development is examined. The way that critical reading and group discussion can develop children's metalanguage and metacognitive understanding is illustrated.     

Materiality and ideology in children's perceptions of past historical writing

This article summarizes a small-scale investigation into 10- and 11-year-old children's perceptions of how the attitudes and values of different times in the past are reflected in historical writing for children. The research involved observation, reading and discussion of historical stories written at different times in the past about a particular period and character in the distant past, familiar to the children from their history lessons. The study investigated how children interacted with these texts in order to derive meaning from them. This article analyses the strategies children used and how they began to unpack the complex, multiple layers of meaning in ‘history stories’ by first examining the material properties of their texts. It considers how these material properties influenced the children's understanding of the texts' contents. It also seeks to discover whether young children are capable of comprehending the broader meanings of texts, beyond a literal reading of them, and how they explore texts critically in terms of their ideology. Findings suggest that able readers between the ages of 10 and 11 are indeed able to understand how ideologies are transmitted in such texts written for children, how these ideologies are conveyed to the child reader, and how they differ from the values and attitudes of the present.     

“I think it fits in”: using process drama to promote agentic writing with primary school children

Set against the backdrop of children being ‘alienated’ from their writing, this paper is taken from a United Kingdom Literacy Association sponsored project where primary school teachers were trained to use process drama in order to give children more agency in their writing across the curriculum. Here, we use discourse analysis to think about the children's historical creative writing in relation to the drama lessons which are differently framed by the teachers. Building upon a theoretical model of process drama as involving ‘embodied experience’ and writing as problem‐solving, a case is made that process drama can lead to what we term ‘agentic writing’. Agentic writing, we demonstrate, involves children actively translating their embodied experience of process drama into writing by making a range of intertextual borrowings. These borrowings serve both to capture and transform their embodied experience as the children gain agency by standing outside language to achieve ‘double voicedness’ and in doing so write sophisticated texts. Seeing the relationship between process drama and writing in this light, we argue, provides a means of reconnecting children to the act of writing.     

Science in a school of social priority

The National Literacy Strategy Framework (DfEE, 1998) requires primary children to, ‘become increasingly conscious of the writer's intentions’ (p.7) and The National Curriculum for English (1999) states that children should, ‘use and adapt the features of a form of writing, drawing on their reading’ (p.28). Developing a process approach to writing, where children are supported as they draft and redraft texts, was the aim of a university funded school-partnership project between Sycamore Junior School, in the City of Nottingham, and Nottingham Trent University. The article describes how Years 3 and 4 children developed an understanding of narrative structure and became reflective writers, as they responded to each other's work, during writing workshops.     

We read,we write: reconsidering reading–writing relationships in primary school children

The extent to which children's reading experiences influence their writing production is not well understood. It is imperative that the connections between these literacy practices are elucidated in order to inform the development of stimulating curricula and to support children's development. This paper presents new data and key findings from a project investigating relationships between children's free choice reading and volitional writing in Key Stage 2 (9–10 years). The data were collected in two primary schools in northern England, using mixed methods. Quantitative data were collected using an online reading survey taken by 170 children, and qualitative data were provided through independent writing journals maintained by 38 participants. Through analysis of the data using a multiliteracies approach, we demonstrate that the writing that children choose to do is influenced by the texts they encounter as readers in terms of content, text type and linguistic style. The child readers in this project encountered texts in different media and created texts in a range of genres. By examining a sample of children's written texts from the data set, we show that children's interactions and transactions with texts as readers and writers are complex and multiple. Children creatively work across media, and in doing so the boundaries of traditional text genres and styles are redeveloped and redesigned. These findings highlight the importance of providing children with opportunities to freely choose and create texts and recognising the wide variety of text experiences that children bring to their classroom learning.     

Examining Boys’ Readings of Gender in the English Classroom

As an opinionated and often challenging class of year 10 boys, they demonstrated a strong sense of their identity as a group of ‘bright boys’. One of their English teachers described the class as ‘boisterous, but very motivated – they love discussing texts’, but she also recognised their tendency to ‘descend into testosterone fuelled competitiveness’. I became interested in the ways these boys read and responded to literature and in particular how their strong view of themselves as ‘bright boys’ influenced their reading of gender in literature. I examine two lessons with this year 10 class in which they discussed representations of gender in two literary texts. I was interested in the ways they constructed and asserted their masculine identities through class discussions about gender in literature and I found myself wondering: how do these boys read gender, and why do they read gender in these ways?     

Primary children's management of themselves and others in collaborative group work: ‘Sometimes it takes patience …’

We focus on children's approaches to managing group work in classrooms where collaborative learning principles are explicit. Small groups of 8–10 year olds worked on collaborative science activities using an interactive whiteboard. Insubsequent interviews, they spoke of learning to ‘be patient’ and ‘wait’, for multiple social and technical reasons. Conclusions are drawn about how children's dialogue during and after lessons constitutes and develops their collective capacities to deal with frustrations and problems arising for themselves and others. Attention to children's thinking and language about managing group work should promote their future success in collaborative learning.     

Reading: A Pastime of the Past?

It is somewhat of a truism to say that reading is not what it used to be. ‘Texts’for reading now include many other media than simply print on pages and this fact has occasioned some concern among those who fear that reading television or computer-based texts may reduce or impoverish children's overall reading experience. Chris Robertson and her students have been investigating these issues through interviews with children and have found that reading and technology are not actually in conflict but can be mutually supportive. This article suggests that teachers need to think more creatively about how to use alternative texts in developing children's reading.     

Children writing funny stories: some reflections on the impact of collaborative talk

This article describes work undertaken with a class of Scottish Primary Six children (aged 10) that encouraged them to write humorous stories. It reflects on the impact of different teaching approaches, in particular exploring how teacher‐led input combined with opportunities for peer talk might serve to influence children's writing. The aims were first, to investigate whether, through ‘mini lessons’, children's story schemas could be expanded to include ideas about incongruity, and second, to discover how independent talking in pairs might encourage children to take up and reformulate ideas given in the initial teacher‐led input. During the sessions following the ‘mini lessons’, many opportunities for paired talk were offered. These were found to lead to a reinterpretation of ideas of incongruity, and to affect the selection and devising of voices for characters. The children's talk often gave evidence of a marked ability to describe humour and act it out orally, but analysis of the written stories reveals difficulties in writing down comic events. This has implications for the role of the teacher in finding ways to intervene sensitively to introduce new strategies.     

The Reader in the Writer

This article discusses the role of reading, especially the reading of literature, in the development of writing. It suggests that the direct teaching of written language features is no substitute for extensive experience of written language. It gives a brief preliminary account of a recent centre for language in Primary Education (CLPE) research project on the influence of children’s reading of literature on their writing at KS2. Through analysis of children’s writing, the project explored the influence of children’s reading on their writing. Its findings highlighted the value of children working and writing in role in response to literary texts. It looked closely at the kinds of teaching which made a significant difference to children’s writing and documented the impact on teachers’ practice of the introduction of the National Literacy Strategy.     

‘Baddies’ in the classroom: media education and narrative writing

When teachers allow students to write stories that include elements of popular media, we must ask what to do with these media elements once they have entered the classroom. This article relates findings from a classroom study focusing on children's media‐based story writing. The study looks at children as producers of new media texts and describes their activities as a form of ‘media education’. The data show that through their production of media‐based stories, the children are reflecting on their consumption of media. Furthermore, the children's media‐based stories make explicit some of their implicit knowledge of new media forms. Lastly, the children's stories provide ample opportunities for teachers to engage in important discussions about media within the framework of existing writing programmes.     

Acting up or acting out? Unlocking children's talk in literature circles

It is generally accepted that talk enriches children's interpretations of texts in literature circle discussions. However, the nature of that talk and exactly how it facilitates interpretation of texts has not been much analysed. This article describes some work undertaken with a class of Scottish children, aged 9–10, to introduce them to the idea of literature circles. The literature circle discussions were then recorded and analysed. The purpose of the project was to record the kinds of exchanges, chains of comment and range of discourses and voices that children used when talking among themselves, and to reflect on their function and value. It was found that a lot of the talk was exploratory though not always in the sense proposed by Mercer. In his terms much was ‘cumulative’. Some talk veered towards anecdotal chat. The children also frequently put on voices not their own, mimicking characters in the story they were reading, and other people they knew. These forms of talk are not always encouraged in the classroom, their effectiveness for learning being in doubt. This article argues that cumulative talk, the telling of anecdotes and the performing of different characters' voices all have a useful function in discussions of books: they can encourage engagement, be helpful in bringing texts to life and advance children's thinking about literature.     

Beginning readers' use of talking books: styles of working

This paper examines young children's working styles when they are engaged with a peer on a computer‐based reading task. Two types of pairing were investigated: (i) ‘Equal’ pairs, where the children were of equal reading attainment and (ii) ‘Unequal pairs’, where there was a disparity between the children's reading attainment. The results suggest that the children's reading attainment and/or their gender may be more significant factors in determining the nature of children's collaborative activity than pair type. The implications of these results for practitioners who wish to use talking books as a classroom resource are discussed.     

How graphic novels support reading comprehension strategy development in children

This qualitative case study explored the relationship between comprehension strategies and graphic novels in one Grade 4 classroom, utilising children as informants. The primary research questions related to children's applications of metacognitive reading comprehension strategies as well as the potential for graphic novels to support the students’ development as readers. Findings demonstrated that the children were able to apply two types of strategies to their reading of graphic novels: ‘keys’ that supported form‐specific comprehension strategies and ‘master keys’ that supported more general comprehension strategies that could be applied to other types of texts. Student preferences for graphic novels aligned with their preferences for reading narrative novels and non‐fiction, and did not align with preferences regarding comics or cartoons. Student preferences for reading graphic novels increased throughout the study. Fluent student responses to graphic novels through process drama were identified. Implications of the study involve the employment of graphic novels to support metacognitive strategies for reading and writing as well as to facilitate process drama.     

My Place: Exploring children's place-related identities through reading and writing

This paper considers how children perceive and represent their placed-related identities through reading and writing. It reports on the findings of an 18-month interdisciplinary project, based at Cambridge University Faculty of Education, which aimed to consider children's place-related identities through their engagement with, and creation of, texts. This paper will discuss the project, its interdisciplinary theoretical framework, and the empirical research we conducted with two classes in primary schools in Eastern England. A key text used in our research was My Place by Nadia Wheatley and Donna Rawlins. Drawing on our interdisciplinary theoretical framework, particularly Doreen Massey's notion of place as a bundle of trajectories, and Louise Rosenblatt's notion of the transaction between the reader and the text, this paper will examine pages from My Place, children talking about how this text connects with them, children talking about their sense of place, and maps and writing the children produced based on their place.     

Exploring the Metafictive in Elementary Students' Writing

Although some researchers have examined students' literary understandings of and responses to books with metafictive characteristics, few have explored how elementary students incorporate metafictive devices into their writing. In this article I analyse the stories and books created by a class of Grade 5 students and discuss the metafictive devices evident in their work. In addition to considering how the literature students read and how the classroom interpretive community influenced the students' stories/books, I discuss some broader issues about the significance of students reading and writing metafictive texts.     

Reading the Local and Global: Teaching Literature in Secondary Schools in Australia

Recently Australia has witnessed a revival of concern about the place of Australian literature within the school curriculum. This has occurred within a policy environment where there is increasing emphasis on Australia’s place in a world economy, and on the need to encourage young people to think of themselves in a global context. These dimensions are reflected in the recently published Australian Curriculum: English, which requires students to read texts of ‘enduring artistic and cultural value’ that are drawn from ‘world and Australian literature’. No indication, however, is given as to how the reading and literary interpretation that students do might meaningfully be framed by such categories. This essay asks: what saliences do the categories of the ‘local’, the ‘national’ and the ‘global’ have when young people engage with literary texts? How does this impact on teachers’ and students’ interpretative approaches to literature? What place does a ‘literary’ education, whether conceived in ‘local’, ‘national’ or ‘global’ terms, have in the twenty-first century?     

Cinderella in the Classroom. Children's Responses to Gender Roles in Fairy‐tales

The project described in this paper was designed to test the feminist hypothesis that the Cinderella‐style fairy‐tales promoted by Anglo‐American society harmfully reinforce restrictive images of girlhood and womanhood. The research was based on work with over 100 boys and girls aged 9‐11 in five Cornish primary schools. Responses came from the children through group discussion, drawing pictures and writing stories. Although the figure of the pretty princess predominated in the girls’ pictures, it was apparent through the children's discussion and stories that few girls identified with this image. The girls favoured ‘upside‐down’ fairy‐tale scenarios that gave their heroines independence, while the boys clung to the traditional image of the prince for the same reason. These results indicate that girls of this age are ‘resisting readers’, able to criticise and manipulate — as well as enjoy — the gender images presented to them in the dominant fairy‐tales of our culture.     

Interactive whiteboards and talking books: a new approach to teaching children to write?

This article presents work undertaken with a class of Scottish Primary Six children (aged 10) to investigate the use of interactive whiteboard technology and interactive talking books in whole‐class writing lessons. The paper reports on a research project with three aims: to investigate how the use of an interactive whiteboard to reflect on the language and style of professional authors influenced the children's own writing; to examine the effect of this experience on the writing and behaviour of children with additional support needs; and to identify the advantages and disadvantages of using such technology in whole‐class writing lessons. The resulting evidence suggests that while some children benefited from the approach, teaching children to write through examination of professional models of writing in whole‐class lessons did not promote the most effective learning even where the text was provided in such an interactive medium. The implications of these results for practitioners who wish to use talking books and whiteboard technology to teach writing are discussed.