Military base culture and Okinawan rock ‘n’ roll

The presence of US military bases has had a strong influence on US popular music in postwar Japan and Okinawa. In 1951, mainland Japan gained independence from the US occupation while Okinawa was occupied until the early 1970s and therefore was outside of the Constitution of Japan. Okinawa has been forced to coexist with many US bases, soldiers and civilian personnel. Postwar western popular music entered Japan via the bases and became a part of Okinawan culture. In this essay, tracing the history of Okinawan rock ‘n’ roll since the 1960s, I will discuss how to get into Okinawan society, the cultural function played by the US military bases in Okinawa, and the significance of the role played by the US bases for the globalization of ‘American Culture’. The golden age of the entertainment sector geared toward US soldiers was the 1960s and early 1970s, before the reversion of Okinawa to Japan. After this, a reduction in the number of troops and the increasing exchange rate of the yen dealt a serious blow to the economy of the entertainment sector. As a result, Okinawan rock ‘n’ roll increasingly entered another social cultural context; first commercialization by the record industry in Tokyo, and then as a tourist resource for local community development.     

Participation and provision in arts & culture – bridging the divide

ABSTRACT

Successive policies and efforts to increase participation in a range of arts and cultural activities have tended to focus on the profile and attitude of individuals and target groups in order justify public – and therefore achieve more equitable – funding. Rationales for such intervention generally reflect the policy and political regime operating in different eras, but widening participation, increasing access and making the subsidised arts more inclusive have been perennial concerns. On the other hand, culture has also been the subject of a supply-led approach to facility provision, whether local amenity-based (“Every Town Should Have One” – Lane, 1979. Arts centres – every town should have one. London: Paul Elek), civic centre or flagship, and this has also mirrored periodic growth in investment through various capital for the arts, municipal expansion, urban regeneration, European regional development and lottery programmes. Research into participation has consequently taken a macro, sociological, “class distinction” approach, including longitudinal national surveys such as Taking Part, Target Group Index, Active People and Time Use Surveys, whilst actual provision is dealt with at the micro, amenity level in terms of its impact and catchment. This article therefore considers how this situation has evolved and the implications for cultural policy, planning and research by critiquing successive surveys of arts attendance and participation and associated arts policy initiatives, including the importance of local facilities such as arts centres, cinemas and libraries. A focus on cultural mapping approaches to accessible cultural amenities reveals important evidence for bridging the divide between cultural participation and provision.     

U.S. third culture kids’ identity and college success

Third Culture Kids (TCKs), people who spend a significant number of their developmental years in a country other than their parents’ passport (home) country, have many positive attributes. These include the ability to see other points of view, be open to people from different backgrounds, and be adaptable. This phenomenological study, based on interview data, explored how their identity as TCKs helped them succeed in college through an anti-deficit perspective. The population was nine participants (three men, six women) who had all lived outside of the United States of America (their parents’ home country) for at least seven years before the age of 18 and who returned to the United States. for college. The findings indicate a need for updated study on the experiences of Third Culture Kids and how they conceptualize and understand their own identities and its relation to the idea of a third culture. Recommendations are made for TCKs and their families, and institutions of higher education in supporting them.     

“Doing” cultural studies: Chua Beng Huat on popular culture

Focusing on the relationship between Chua Beng Huat’s sociological thinking before the Inter-Asia Cultural Studies project and his more recent famous works on consumption and popular culture, this essay seeks to understand how he has produced a methodology and a mode of authority that is effective for the context he inhabits in Singapore as well as resonant for scholars working elsewhere. After discussing his interest in large rather than ‘cult’ popular cultures, his emphasis on the detail of government processes as well as popular practices, his economically-grounded concept of consumption and his materialist approach to texts, I read his work on ‘nostalgia for the kampung’ as modelling an Inter-Asian way of doing Cultural Studies that helps us ask questions and develop concepts for our own local contexts.     

Inter-generational transmission of Indigenous culture and children’s wellbeing: Evidence from Australia

A limited body of empirical evidence suggests a strong sense of cultural identity promotes wellbeing and other socio-economic outcomes for First Nations people, including for Indigenous Australians. A challenge to this evidence is potential endogeneity: that Indigenous people who achieve positive outcomes are then more likely to maintain and engage in their traditional culture. Data from Australia’s Longitudinal Study of Indigenous Children were used to address that challenge. Indigenous parents’ attitudes and practices with respect to passing on traditional culture to their children in early childhood were related to children’s later health and socio-emotional adjustment. Exploratory factor analysis identified three key elements of parental transmission of Indigenous culture to their children: connection to country, connection to kin and traditional knowledge. Parents fostering a strong kinship connection was found to contribute to positive child development. Positive effects of connection to country and parental desires to pass on traditional knowledge were also identified in some regional contexts, providing further evidence that traditional Indigenous cultures should be seen as a resource for addressing Indigenous disadvantage, not a contributing factor. The research design eliminates the possibility of (the child’s) outcomes ‘causing’ greater cultural identity or engagement, but not the possibility of omitted variables shaping both parents’ practices toward cultural engagement and child outcomes.     

A regional gateway: Japanese popular culture in Hong Kong, 1990–2005

Abstract

In popular culture, Hong Kong is probably the most “Japanese city” outside Japan. It is home to a wide variety of Japanese popular cultural products and a regional base to many of the Japanese music and television companies who expanded their operations in the city in the early 1990s. Hong Kong's emerging middle class, especially the younger generation, has enthusiastically accepted Japanese contemporary culture and lifestyle, making the city one of the biggest destinations for Japan's cultural exports. Based on fieldwork surveys and interviews, this paper looks at the organizational aspect of popular culture during the heydays of Japanese popular culture in Hong Kong in the 1990s and early 2000s. The investigation focuses on the marketing strategies and promotional efforts used by agents of Japanese popular culture in Hong Kong and the role of popular culture piracy in this process. Beyond analyzing the Japanese case, the paper introduces a new framework to examine the transnational expansion of popular cultures across markets in East and Southeast Asia, highlighting the role of companies and promoters in this process.     

The collective subjectivity of Chinese intellectuals and their café culture in republican Shanghai 1

Abstract

Using a brief comment by Lu Xun regarding the thriving café culture in 1920s’ Shanghai as a point of departure, this paper investigates how the male intellectuals of the time constructed, affiliated with, and practiced the café culture in the 1920s and 1930s. The paper first provides a historical overview of Shanghai’s café scene, and it investigates the general relationship between coffee and colonialism. The main body of the paper explores how Shanghai’s café culture in the Republican period was constructed in connection with male subjectivity. The paper demonstrates that the café as a gathering site was attractive to the young and educated male urbanites because it provided them a strong sense of community, based on the mutually conditioning homosocial bonding and heterosexual impulses, where they could socialize among themselves and flirt with the waitresses. It was the maleness of the café that allowed the place to embrace the seemingly opposed discourses of consumerism and revolution – the two major components of China’s cultural modernity. The paper ends with Michel de Certeua’s analysis of the ‘habitable,’ and it demonstrates that the Shanghai café is habitable to male intellectuals because it both promises and rejects the consummation of the libido, in the same way as it promises and rejects modernity.     

Daejanggeum as ‘affective mobilization’: lessons for (transnational) popular culture and civil society

Abstract

(Transnationalized) popular culture and (global) social movement are often seen as unrelated, if not mutually exclusive. Popular culture is entertaining, consensual but trivial; social movement is serious, idealized and oppositional. Yet the WTO Ministerial Conference, held in Hong Kong in December 2005, saw the Korean protesters' adoption of the theme‐song of a popular Korean television drama, Daejanggeum, as their protest strategy. The Korean protesters had been framed by mainstream Hong Kong media as ‘violent rioters’, but the inclusion of the drama elements helped the protesters advance their cause by gaining instant rapport with the local Hong Kong news media and public/fans (of Korean wave). The impact of celebrity involvement in the WTO was also about an immediate transferal of fan affect, from celebrities to the movement, and to the Korean protesters. This ‘affect mobilization’, becomes important as movement capital, as the effective manipulation of emotions is a key to ‘getting the message across’ as movement strategies. The case of WTO Hong Kong reveals the possibility of a symbiotic relationship between transnational popular culture and globalized social movements. The ‘use’ of (Korean) popular cultural products enriches and complicates the affect subjectivities within the social movement, and arranges fan affect into multiple layers of emotion hierarchies/spheres. It remains to be seen, however, if this would set a precedence to protesters in future WTO rounds as they are keen to mobilize their causes in different locales. More research is needed, too, to demonstrate if the success of the Korean wave fosters the emergence of a transnational Asian ‘public’ or civil society. Yet, for now, the success of Korean protesters in the mobilization of Hong Kong public's affect epitomizes the hegemonic flow, or soft power, of Korean TV dramas in the Asian popular.     

Moderation impact of national culture on international firm’s environmental,social, governance and financial performance

We examine whether country-level national culture dimensions might moderate an international firm’s environmental, social, governance performance to strengthen or weaken its financial performance based on the Institutional Difference Hypothesis. We find that low power distance, high individualism, high masculinity, high uncertainty avoidance, long-term orientation, and indulgent national culture would moderate a firm’s environmental, social, governance performance to strengthen its financial performance further. On the contrary, high power distance, collectivism (low individualism), feminine, low uncertainty avoidance, short-term orientation, and restraint dimensions would be expected to weaken a firm’s financial performance by discouraging firms from undertaking superior environmental, social, governance performance. GLOBE’s findings such as low power distance, collectivistic institutional and in-group national culture, high uncertainty avoidance, future orientation, all report a significant positive moderation impact on a firm’s environmental, social, governance performance to strengthen its financial performance further. However, high gender-egalitarian national culture and high assertiveness would negatively moderate firm’s financial performance and environmental, social, governance performance. Overall, we think that our findings would further propagate the institutional difference hypothesis as we observe that each of our studied national culture dimensions would moderate firm’s environmental, social, governance performance and financial performance associations significantly.     

Young sinologists： messengers to spread Chinese culture overseas First session of the 2014 visiting program for young sinologists

The first ＂2014 Young Sinologists Training Program＂ was held from July 2 to 22 in Beijing. Co-sponsored by the Ministry of Culture and Chinese Academy of Social Sciences and organized by the Center of International Cultural Exchange, the program drew 18 young Sinologists from 15 countries, including the United States, France, India and South Korea. By participating in lectures, seminars and other activities, the participants gained academic inspiration as well as a better understanding of China. At the opening ceremony, Chinese vice cultural minister Ding Wei said, ＂Studies on the 21 st-century China is a compulsory course. Chinese development is closely related with world development and the Chinese Dream connects with dreams of the people from the rest of the world.＂     

Beyond the ‘feminization of masculinity’: transforming patriarchy with the ‘feminine’ in contemporary Japanese youth culture

Contemporary Japanese society has seen the emergence of aesthetically conscious young men who employ ‘feminine’ aesthetics and strategies as ways of exploring and practising new masculine identities. In this paper, I explore the significance of this emerging trend of male beauty by observing and analysing the expressions, strategies and intentions of those young men who have taken to aesthetically representing themselves in these ways. This cultural trend is often described as the ‘feminization of masculinity,’ echoing the gendered articulation of rising mass culture in terms of the ‘feminization of culture,’ which acknowledges aspects of the commercialization of masculine bodies in Japan of the 1990s onward. While this view successfully links important issues, such as femininity, beauty, and the gendered representation of the self in a broader context of capitalist culture, it does not sufficiently convey a sense of agency in the young men's lively practices of exploring and expressing new masculine values and ideals. Rather than viewing ‘feminization’ simply as a sign of commodification, I argue that these young men strategically distance themselves from conventional masculinity by artificially standing in the position of the ‘feminine’, where they can more freely engage in the creation of alternative gender identities. From this point of view, the use of the phrase ‘feminization of masculinity’ often implies a fear and anxiety on the part of patriarchy over the boundary‐crossing practice that seriously challenges the stability of gendered cultural hegemony. Moreover, such anxiety driven reactions easily merge with nationalist inclination, as those threatened tend to seek the consolidation of patriarchal/hegemonic order by eliminating ambiguities and indeterminacy in cultural/national discourse. I conclude that the cultural hegemony of contemporary Japan could better sustain itself by incorporating non‐hegemonic gender identities, which would allow it maintain an open space for critical imagination and effectively diffuse an obsessive and ultimately self‐destructive desire for transparency/identity.     

Far away from home and (not) lonely: Relational mobility in migrants’ heritage culture as a potential protection from loneliness

Loneliness is a major health risk with particular relevance for migrants, who are faced with the challenge of establishing social networks to avoid social isolation after migration. We suggest that forming new relationships may be hampered or facilitated by characteristics of migrants’ heritage culture (i.e., the culture that migrants were socialized in), specifically the level of heritage relational mobility (the amount of opportunities to form new relationships and individual choice regarding whom to relate to in the heritage culture). Individuals with higher (versus lower) heritage relational mobility may be able to more easily establish social networks after migration, because of being more experienced with forming new social relationships. As such, we hypothesized that they might be less susceptible to loneliness after migrating – at least in a host culture that is high in relational mobility. In two cross-sectional survey studies with samples from two of the largest groups of student migrants in the city of Groningen (Study 1: n = 118 German, n = 97 Chinese students; Study 2: n = 119 German, n = 92 Chinese students) in the Netherlands (i.e., a context with high relational mobility), higher heritage relational mobility was indeed related to lower loneliness. Having grown up in a cultural environment that offers opportunities to individually establish new social relationships may hence protect migrants from quite different heritage cultures from loneliness, at least if the host culture also offers such opportunities. We discuss alternative explanations, as well as theoretical and practical implications.     

The representation of ‘Asia’, ‘occupational forces’ and ‘women’ against the backdrop of post‐war Japanese culture: from the system of censorship to the present

This paper is one of the attempts to show how each East‐Asian regional country’s memory of the war has been related to the post‐war literatures and movies restricted by the structure of the Cold War. In particular, this paper takes up the issue of how the structure of Japanese culture after World War II was heavily influenced by the Cold War. When Japan was under the Occupational Forces, Japanese writers and film directors settling on the subject matter of the war were not free from the strain of the systematic censorship by GHQ. Translating into mechanisms of their works using the body or woman (comfort woman) by squarely facing the facts of the East‐Asian history, this paper reconsiders the body of post‐colonial Japan.     

Subjectivity of the people in practice and means to actualize a new socialist culture in rural China: an ethnographic study of drama in Shaanxi’s rural regions in the 1960s

From the mid-twentieth century, the evolving tension between modernity and tradition has become a troublesome issue for the newly-established independent nation-states in Asia. With the ethnographic methodology of field study, this article retraces the drama practice in 1960s’ rural China and tries to reveal the practical formation and specifically, the operative mechanism with which the socialist new culture remolds and summons the subjectivity of People. In such practical process, the subjectivity of People is a key concept of socialist values and a leading principle of people’s everyday life in rural China, which contributes to the formation of a “new tradition” in practice. The “new tradition” has a profound influence on the pathway of the Chinese socialist development, and may also provide necessary reference to other Asian states.