也说"自然的人化"--与汪济生君商榷

阐述实践美学的核心概念——“自然的人化”、特别是“广义自然的人化”的概念的哲学内涵,说明人征服和改造自然的历史尺度和人与自然关系的改变是美产生的根源与基础。同时,也阐明了作为自然人化的更高阶段和扬弃的人的自然化才是未来美学的主要研究对象,作为人的自然化的审美表现形态的生态美是未来美学的主要形态。     

审美：“忧生”抑或“忧世”——兼论生命美学的失误（二）

老庄、孔孟哲学思想中都包含着“忧生”与“忧世”、“入世”与“出世”的生命观,这是一种更高层次上的人生忧虑。生命美学论以西方思想作为理论支点,在曲解“忧生”、“忧世”关系,否认现代中国美学成就的过程中陷入自设的“二元”对立,表现出“唯我独尊”的美学错觉;生命美学要为中国美学补神性,但内在地显示了夸大美学功能的倾向,其目的是为生命美学造神。     

历史记忆的想像与重构:从小说《金山》到电影《金山》

作为社会文化建构的历史记忆,其重点或许不在于探寻哪种表征方式更接近真实的历史,而是质询历史记忆表征的政治学及其生产机制。小说《金山》和电影《金山》涉及对同一段华裔历史的再现,两种文本受制于不同的场域,呈现出迥异的记忆政治。处于跨文化场域中的海外华裔作家,个人习惯及其在文学场中的位置是影响文本表征的主要因素,历史记忆表现为一种寻根情愫与文化认同,而电影媒介处于资本与市场博弈的场域之中,历史记忆更像是一场视觉的消费盛宴。     

审美创造三题

再现、表现与创造文艺是客观现实生活的再现,还是主观精神世界的表现?从古希腊以来,人们对此争论了两千余年。单纯的“再现”论或“表现”论均有其片面性,那么“再现与表现的统一”论呢?从一定的角度着眼,这种观点是无可非议的,比较全面的。因此,不乏持此论的书籍文章。不过,要进一步探究作为一种反映社会生活的意识形态的文学艺术的特殊本质,更准确、深刻的提法应当是:文艺是人的审美创造。再现中有表现,表现中有再现,而从一切文艺作品都是人类的创造物这个意义上说,它们又都是创造。但在文学中,再现、表现、创造是既互相联系,也互有区别的三个美学概     

论文艺本质特性的“三态”构成之内涵

文艺作为一个独立的人文现象,主要表现在其文化形态、意识形态和审美形态三层次方面,而与之相照应的内涵分别是其物化生产与精神生产的统一、现实内容与“合目的”的统一、个性才情与“合规律”的统一。     

论文艺本质特性的"三态"构成之内涵

文艺作为一个独立的人文现象,主要表现在其文化形态、意识形态和审美形态三层次方面,而与之相照应的内涵分别是其物化生产与精神生产的统一、现实内容与“合目的”的统一、个性才情与“合规律”的统一。     

关于“表现”与“再现”

关于中西美学“表现”与“再现”问题,争论已久,至今尚无定论。已有的论点大致如下:一、偏重论。较早就有人提出中国古典美学是“表现型”,西方古典美学是“再现型”。后来这种观点又发展为中国偏重“表现”,西方偏重“再现”,从而“意境说”     

周来祥美学理论体系刍议

在中国当代美学的两次大讨论中，周来祥先生“美是和谐”的理论体系悄悄地崛起。他采用辩证逻辑的思维方法，使他的思想理论在逐渐呈现出体系的过程中显示出巨大的深度和力度。但“和谐”一词在此以前指的是客体诸因素的某种组合方式，而周来祥则把它确立为一个对美的本质进行界定的最简明的表达。因为他所说的“和谐”，是一种关系，是审美关系的和谐。美的本质是人与自然、主体与客体的和谐统一。它在艺术中，就是主观和客观、表现与再现、感情与认识、真与善的统一。这种理论要求逻辑与历史相统一的方法，所以在重视美学理论的同时也必然深入地考察历史，周来祥的审美历史观有自己鲜明的特点。从大的范畴上来看，周来祥的美学思想体系属于“实践派”．但在许多方面又与国内的“实践派”美学理论存在着较大的差异，正因为如此，周来祥以自己的美学体系为中国美学的发展做出了贡献。     

符号修辞视域下的“图像化”再现——符象化(ekphrasis)的传统意涵与现代演绎

古典修辞学术语“ekphrasis”本义为以语言获得栩栩如生的画面感——图像化再现.这一术语在数千年的历史演化中历经口语、书面、艺术理论等不同使用语境,其外延逐渐抽空而内涵日渐丰富.尤其是在近半个世纪修辞广义化运动背景下,画面感的获得已经不再是语言修辞学的狭窄范畴.Ekphrasis的原初意涵扩展为跨媒介、跨渠道的符号修辞抽象理念——符象化.其根本,是唤起文化规约下的共通“心象”而非基于视觉感知的“图像”再现.本文总结了文化心象达成的三种机制,并指出ekphrasis这一新的意涵是当前修辞广义化运动推进至多媒介符号文本的必然结果.     

中西方文学艺术美之比较

中国和西方古代的美学,由于都产生在奴隶制和封建制这个共同社会基础上,由于都受人类思维发展和文化艺术发展一般规律的制约,其思想性质大体是相同的,本质上都属于古典主义美学的范畴。但因为中国和西方历史条件,文化传统,民族审美心理的差异,美学思想又形成为东方和西方两大系统,在世界美学史上竞放异彩,各有千秋。由于中国的诗歌、书法比较发达,因此我国古代文化就出现了以“言志”为主的表现说。而西方由于史诗、戏剧、雕刻较为盛兴,则产生了以“摹仿”为主的再现说。 １“言志”的表现说。古今中外,一切进步的文学家,文论…     

Western and Eastern culture differences in commercial field

The communication of people partially is the communication of cultures. Culture has a direct effect on international commercial activities in all aspects. Different conceptions about time, space, equality, law and the like, lead people to deal with things in different ways. So to know cultures of the counterpart is to facil-itate our enterprises so as to have a smooth and successful communication in commercial activity.     

风的曲线

Rosco and I wait for the fishermen to return.I sit at a wooden bench near the store at Mt.Baker Resort and watch the clouds change shape. Rosco has my belt around his neck and an eight foot tow chain hooked to a tree. Dogs must be on a leash. Ducks and rabbits are loose.     

团图为数的图中的闭团贯数

Given a graph G,a subgraph C is called a clique of G if C is a complete subgraph of G maximal under inclusion and |C|≥2. A clique-transversal set S of G is a set of vertices of G such that S meets all cliques of G. The clique-transversal number, denoted as TC (G), is the minimum cardinality of a clique-transversal set in G. The clique-graph of G, denoted as K (G), is the graph obtained by taking the cliques of G as vertices, and two vertices are adjacent if and only if the corresponding cliques in G have nonempty intersection. Let F be a class of graphs G such that F={G|K(G) is a tree}. In this paper the graphs in F having independent clique-transversal sets are shown and thus TC (G)/|G|≤1/2 for all G ∈ F.     

汉字倒说

汉字的六书,《说文》对“转注”一类,语焉不详。后世学者提及转注,也仅限于许慎所举出的例字。《汉字例说》一文,作者从转注的角度综合考虑,对部分现代常用字作了分析,跟传统的解释有所不同。希望能抛砖引玉,互相切磋,以推进学术研究。     

卡思卡特城堡

It is worthy of noting that, whilst Crookston Castle witnessed the earlier and happier portion of Mary's variegated life,     

Social and Cultural Influence on Word Meaning

Different nations have different social cultures, and the social culture of every nation is developing with the development of the nation, language is greatly influenced by social culture, which enables language to possess national and historical characteristics. Word is the smallest, independent, meaningful linguistic unit of language. It can well reflect the national and historical characteristics. From synchronic aspect, the social and cultural influence on word meaning is mainly embodied in conceptual and associative meanings of word. The incorrespondence of word meaning is a phenomenon that exists in both conceptual and associative meanings of word among different languages. From diachronic aspect, the development of social culture causes some changes of word meaning to some extent. Therefore, social culture plays a key role in vocabulary learning and mastery of a language.     

钱生钱!

我们绝大部分人都同意一件事情——我们喜欢金钱。但是你对金钱的喜欢之情足够到让你创立一份事业么?.财富通常被人忽视,主要在于人们不能真正了     

只要努力,不要后悔

There are numbers of crossroads on our long and unpredictable life journey where we totally have no idea about which direction to choose. No matter what our decision is, we should not turn back, but face the music and go ahead instead. I am this kind of girl who always does try without regretting, one example is how I dealt with my love.     

Inequalities for inscribed simplexes

The problem on the geometrc inequalities involving an n-dimensional simplex and its inscribed simplex is studied. Aninequality is established, which reveals that the difference between the squared circumradius of the n-dimensional simplex andthe squared distance between its circumcenter and barycenter times the squared circumradius of its inscribed simplex is not lessthan the 2(n-1)th power of n times its squared inradius, and is equal to when the simplex is regular and its inscribed siplex is atangent point one. Deduction from this inequality reaches a generalization of n-dimensional Euler inequality indicating that thecircumradius of the simplex is not less than the n-fold inradius. Another inequality is derived to present the relationship betweenthe circumradius of the n-dimensional simplex and the circumradius and inradius of its pedal simplex.