党的新闻事业的性质

党的新闻事业除了具有一般的新闻事业的特性外,还有自身的特性。胡耀邦同志在《关于党的新闻工作》中对党的新闻事业的性质作了以下概括:“党的新闻事业是党的喉舌,自然也是党所领导的人民政府的喉舌,同时也是人民自己的喉舌。”中国共产党的新闻事业之所以也同时是政府的喉舌、人民的喉舌,最根本的一点在于共产党是中国的执政党,是全国人民的领导核心,同人民利益的根本一致。党的新闻事业的这一特性,集中地体现在党的新闻事业的党性原则中。党性是阶级性的集中表现。不同的是,资产阶级     

我们比孔繁森缺少什么?

孔繁森是全党全国人民学习的榜样,当然也是我们每一个新闻工作者学习的榜样。 我们与孔繁森所处的岗位不同,但岗位的根本属性则是相同的。作为党的一级领导干部和一个地区人民的公仆,孔繁森所从事的事业,是神圣的党的事业,人民的事业;作为新闻工作者,我们所从事的事业,同样是神圣的党的事业,人民的事业。党和人民的事业对它的从业人员有着同样的要求。     

当前的报业发行及应对

目前,由于各种新媒体的发展以及人们信息接受习惯的改变,传统报业的发行面临着越来越困难的局面. 影响发行的四大因素 第一、报纸本身的素质 包括报纸的内容质量,公信力以及报纸的品牌等.报纸的内容质量主要指新闻报道的质量、内容的可读性、本地化内容的多少以及报纸的整体品相等等;公信力实质上指的是社会公众对报纸的信任程度;品牌是报纸的无形资产,报纸的品牌价值越高,对报纸的发行越有利.报纸本身的素质和报纸的发行成正相关关系.     

提高舆论监督权威性

明确舆论监督的性质和目的舆论监督的基本目的是维护党和人民的根本利益,维护社会的安定团结,维护无产阶级专政的权威,维护国家的尊严,维护改革、开放的顺利进行。舆论监督的准则是国家的法规,对党员和党组织的监督还应加上党的章程。舆论监督的目的和准则,决定了舆论监督的人和事,应该采取的手段和形式,应该掌握的时机和范围。为了实现舆论监督的目的,必然要有批评性的或者揭露性的报道,必然会有自下对上的批评监督,而且是舆论监督主导的方面,当然不排斥来自人民群众的建设性的意见,成为正确决策的重要依据,以及自上对下的批评监督。     

电影《东邪西毒》终极版的哲学底蕴

王家卫的电影《东邪西毒》终极版的哲学思想主要体现在：村上春树的“宇宙式的孤独”的哲学思想;柏格森的生命哲学的思想;海德格尔的回忆即诗的哲学思想;叔本华的“我是世界的表象”的命题以及欲望是经久不息的．人生是充满痛苦的悲观主义思想。通过对影片哲学思想的考察,可以得出本片的主旨是告诉人们对于不合理的欲望应该学会忘记,学会放手,学会欣赏生活,这样才能缓解现代社会生活带给我们的压力。     

图书质量下降之原因

图书质量的构成因素是多方面的,有内容的、文字的,也有印制的;有内在的,也有外在的。造成目前图书质量下降的原因也是多方面的,有政策上的,也有管理上的;有体制上的,也有机制上的;有作者的,也有出版者的。归纳起来,主要原因有以下几个方面: 1.政策和舆论导向的偏差。政策和舆论的导向功能对图书质量有着不可忽视的作用;正确的政策和舆论导向有利于图     

行为艺术之辩

吃死婴的,吃尸体的,身上烙身份证号码的,放血的,在身上种草的,这一类对人伤害的,血腥的、暴力的、淫秽的,我把它列为极端的行为艺术     

寻出另一个河北——读《燕赵国宝》

回望历史长河,当这些瑰丽的珍宝历久弥新,再次发出神圣的灼眼的光芒时,这部书所携带的就不再仅仅是时间意义上的风水烟云,它必然包括祖先的足迹、圣人的英灵、智者的平静、阶级的飘摇,以及留给他们的永恒的寂寞与留给我们的神秘的未知。     

纪录片解说词的艺术表达

在声画兼容的纪录片视听空间里,画面的主体性是毋庸置疑的。但声音语言,特别是解说词的作用也是不可低估的。它对纪录片画面中上下的穿缀、历史的阐释、背景的交代、情节的叙述、主题的升华、情感的抒发、意境的烘托和气氛的渲染,都起着至关重要的作用。     

同学聚会众生相

不知从何时刮起同学聚会之风的。大学的同学聚,中学的同学聚,小学的同学聚,各类培训班的同学也聚。反正只要有题目,有人操心张罗,就能聚。聚会时,同学入座,自然分出若干层次,为官的,经商的,从艺的,教学的,干个体的,跑单帮的,外向的,内向的,男的,女的。     

心理资本研究述评及对图书馆员心理资本研究的启示

从个人层次、群体层次和组织层次角度,对目前心理资本理论的研究情况进行介绍及归纳,内容包括：心理资本的内涵、心理资本的测量、心理资本的前因与中介、心理资本的结果、心理资本与结果间的中介或调节变量、心理资本的调节以及图书馆员心理资本相关研究。最后,指出这些研究中存在的问题,并提出心理资本的研究展望及今后图书馆员心理资本研究可关注的方向。     

Soviet Rock Collection and International Counterculture Archive at the Global Resources Center of the George Washington University Libraries

ABSTRACT

This memoir is my personal story about how I created and came to curate on the International Counterculture Archive collection, which is held in the Global Resources Center of the George Washington University’s (GWU) Gelman library. The first person narrative relates my first encounters with Soviet rock culture and describes how I turned my initial interest into a Ph.D. dissertation on the subculture of Soviet hippies and traditions of Soviet rock music, which subsequently led to my later work as a librarian and curator. I tell the story of my initial encounters with the members of Soviet/Russian rock music subculture and other countercultural personalities and activists during my first trip to Moscow in 1993 to collect samples of Soviet rock music recordings and rock music zines for the European Division of the Library of Congress. During this formative trip I met with a number of counterculture producers and collectors who were instrumental in helping me build the International Counterculture Archive. Upon leaving the Library of Congress, I continued collecting Soviet/Russian countercultural materials on behalf of the Global Resources Center of GWU’s Gelman Library. I talk about the process of creating the Archive at Gelman library, about bureaucratic and financial aspects of this work, and about my many acquisition trips to Moscow, former Soviet republics, and East Central Europe. Much of the narrative centers on my work with Russian collectors and content producers and describes the type of materials that are included in the collection. I also describe how I built the collection of historical Soviet/Russian rock music recordings, focusing on the phenomenon of Soviet/Russian rock music zines and the history of the unique zine collection within the International Counterculture Archive.     

清代圣旨字迹显现研究

圣旨是研究当时社会政治、经济和文化等的珍贵资料。圣旨中的字迹在长期的储存过程中褪色淡化,导致历史信息消失而失去相应的价值。对圣旨褪色的成因进行分析,进而采用显现剂纳米二氧化硅/正丁醇分散液对字迹进行显现。采用红外光谱、扫描电镜和视频接触角考察显现剂对模拟样的影响;通过色差和力学性能评价显现剂对模拟样耐老化性能的影响。结果表明,显现剂能清晰地显现模糊不清的字迹而未明显改变圣旨的形貌和组成结构;提高了圣旨基材的力学性能和耐老化性能,对圣旨的长久保存具有重要意义。该方法对同类型的字迹显现具有一定的借鉴作用。     

Investigating salt decay of stone materials related to the environment,a case study in the St. James church in Liège,Belgium

Salt crystallization is recognized as a major cause of damage to porous building materials, threatening the sustainable preservation of our valuable built heritage. Unfortunately, the crystallization behavior of the detected salt mixtures is complex and not fully understood. While the deliquescence points of single salts are well documented, this is not the case for salts in a mixture where one is confronted with the presence of different cations and anions. In this paper the salt content of the murals and the limestone tracery of the main entrance porch from the sixteenth century church of St. James in Liège, Belgium is investigated and related to the climatic conditions of its environment. Concerning the salt load, the research consists of hygroscopic moisture content measurements, quantitative ion analyses, and the prediction of phase equilibria using the thermodynamic model ECOS/RUNSALT. This model can predict the salt crystallization sequences of a particular ion mixture. The output is mathematically evaluated with collected temperature and relative humidity data, which enables the calculation of the number of salt crystallization–deliquescence cycles. The results show that even small amounts of salts can cause damage over a long period of time when the environment causes frequent cycles of crystallization–deliquescence over time. It is shown how a mixture of small amounts of (double) salts, including hygroscopic ones, can have a significant effect on the decay of historic building materials in the case of daily changing climatic conditions and periods of extreme drought. As a result, the crystallization of double salts and hygroscopic salts such as calcium nitrate cannot be ignored. The scientific method and the results are described.     

图书馆在著作权利益平衡机制中的角色与责任

简述图书馆制度和著作权制度在其形成、发展过程中有着特别的关系,图书馆在著作权利益平衡机制中担当着重要角色。面对利益平衡的砝码向著作权人倾斜的情势,图书馆有促进著作权法确立著作权人利益与社会公共利益的适当平衡点,促进作品的生产、传播与利用之间平衡,促进著作权权能均衡的责任。     

利益相关者视角下的图书馆电子借阅服务研究

[目的/意义] 以图书馆提供电子借阅服务过程中所涉及的利益相关者为研究对象,厘清各利益相关者的利益关系,提出建立基于社会平衡机制的图书馆电子借阅服务系统的主要路径。[方法/过程] 介绍图书馆电子书和电子借阅的发展现状,引入利益相关者理论分析作者、提供商、图书馆与用户之间的利益关系。[结果/结论] 研究发现图书馆电子借阅服务涉及作者与提供商的商业利益、图书馆提供信息资源的权利和用户获取知识的权利,不同利益主体存在既冲突又合作的关系;图书馆电子借阅服务系统不够成熟,产生明显的资源供需失衡问题。提出以下建议:完善法律制度,维护公共利益;扶持电子书产业发展,规范市场行为;建立许可协议标准模板,保护各方利益;控制采购成本,促进电子书资源利用;发挥电子书优势,促进电子书阅读推广。     

图书馆政策制定过程中的制度逻辑冲突及其应对策略——以美国伊利诺伊州图书馆绩效拨款政策为例

[目的/意义] 图书馆政策制定过程中面临多重制度逻辑的冲突,图书馆政策制定者只有采取适应性策略来平衡利益相关者的诉求,才能实现图书馆的可持续发展。从多重制度逻辑冲突的视角来审视美国图书馆政策制定的过程,为我国图书馆政策制定和执行过程提供有益启示。[方法/过程] 通过对美国伊利诺伊州图书馆绩效拨款政策背景与过程的分析,阐述多重制度逻辑冲突（社会逻辑、图书馆运行逻辑以及市场化政府逻辑）下,图书馆政策制定者为平衡利益相关者所采取的应对策略。[结果/结论] 研究结果表明,在制定图书馆政策过程中,政策制定者为化解制度逻辑冲突及其合法性危机,可采取建立广泛的政策网络、多层次渐进式协商、充分运用策略空间、变更政策类型、构建政策修正机制等行为来平衡政策参与者的利益。     

Program of the Department of Cultural Heritage of the Ministry of Culture and National Heritage of the Republic of Poland

The article discusses the program “Registration of the Polish Collections Abroad,” conducted by the Department of Cultural Heritage of the Ministry of Culture and National Heritage of the Republic of Poland. Its goal is to create a register of the significant Polish collections outside Poland.     

Architectures of Knowledge and Literary Tradition: A History of the Almanac in Croatia

ABSTRACT

The history of the almanac in Croatia is reconstructed through primary research in bibliographic and archival sources. The almanac is a vehicle for knowledge communication in informal contexts, engaging both oral tradition and literary forms traceable to medieval literacy and ways of structuring knowledge. The history of the almanac in Croatia reflects the changing context of the book trade, literacy, and the evolution of language. Four main stages are identified: (1) the beginning of the annual almanac in the seventeenth century; astrological almanacs reflecting the sensibility of the Baroque period; (2) the Enlightenment's stimulation of almanac publishing in the spirit of contemporary secular reforms in agriculture and education; (3) nineteenth-and twentieth-century almanac trade, showing complex and overlapping networks for the production, distribution and appropriation of printed almanacs;(4) roughly the end of World War II, when the almanac slowly moved out of the role of a popular mass medium and into specialized niches represented by regional, diaspora, and religious almanacs.