《朱丽小姐》中的女性身份与自我认同

《朱丽小姐》是瑞典戏剧大师斯特林堡创作中期的一部重要剧作,反映了两性之间不可避免的冲突。从女性主义的立场出发,该剧的社会意义在于揭露了虚伪的传统道德对女性的迫害,以及强大的男权社会对女性的残酷统治。主人公朱丽的最终死亡不仅是对生的解脱,也是对不公的社会制度的最大抗议。     

国外教师职业认同研究综述

本文对国外对教师职业认同概念的界定、教师职业认同研究的方法、教师职业认同研究的现状作了综述,并分析和探讨了教师职业认同的主要特征、现有研究存在的问题以及教师职业认同的研究前景.     

Leadership identity in a small island developing state: the Jamaican context

While the role of leadership in improving schools is attracting more worldwide attention, there is a need for more research investigating leaders’ experiences in different national contexts. Using focus-group and semi-structured interview data, this paper explores the background, identities and experiences of a small group of Jamaican school leaders who were involved in a leadership development programme. By drawing on the concepts of culture, socialisation and identity, the paper examines how the participants’ journeys of becoming and being school leaders are influenced by national-level societal and cultural issues, experienced at a local level. The findings suggest that in becoming school leaders, the participants perceived that they had a strong sense of agency in attempting to change the social structures within the institutions they lead and in the surrounding local communities, which in turn, they hope, will have a lasting effect on the nation as a whole.     

“文化自觉”与教师教育研究的价值选择

长期以来,借鉴或采用西方教师教育研究的理念、经验和做法,已成为我国教师教育研究的基本范式,“文化殖民”现象普遍存在。由此,不仅造成基本国情、民族传统文化、本土教育资源等的“集体遗忘”,还造成研究者在价值选择上思维方式的单一、认识的片面、多元思想的消解。从后殖民主义、本土知识等的研究来看,我国教师教育研究必须要有“主体重建”,克服“民族化”或“西方化”二元对立的思维观念,强调“文化自觉”,摆脱文化帝国主义的束缚,走出一条中国的教师教育研究之路。     

“文化殖民”与中国教育发展战略选择

长期以来,借鉴或采用西方国家教育发展的理念与做法,已成为中国教育发展战略的基本选择。由此,不仅造成基本国情、民族文化、本土教育资源等的"集体遗忘",还造成思维方式的单一、认识的片面、多元思想的消解。从后殖民主义、本土知识的研究来看,中国教育发展战略的选择必须要有明确的"身份确定",克服二元对立的思维模式,摆脱文化殖民主义的束缚,走出一条中国式的教育发展之路。     

数字校园安全体系的研究与实现

在分析校园网安全现状的基础上,给出了数字校园安全体系模型,揭示了各种安全机制间的层次关系及其采用技术,并在此之上给出了一个安全解决方案,介绍了实现网络架构、访问控制、身份认证、安全管理系统几个关键技术.     

王安忆小说中的移民书写

外来移民(主要指来自国内各地的务工人员)对于上海的城市发展来说,是一股不可忽视的力量。可以说,上海百年来的发展史,其实就是一部移民史。作为上海作家,从创作初期开始,王安忆就一直关注着身边的这一特殊群体。自80年代的《鸩雀一战》、《好婆和李同志》到2000年的《富萍),王安忆的移民书写逐步体现出一种对上海由“认同”到“背离”的写作姿态。文章拟对这三部作品中的主人公小妹阿姨、李同志和富萍三个具有典型意义的移民人物形象进行分析,来梳理王安忆这种书写姿态的转变,以探寻这种转变背后所蕴含的丰富文化内涵。     

A narrative inquiry into the fostering of a teacher-principal’s best-loved self in an online teacher community in China

This study revolves around an organically lived online community of Chinese elementary teachers. The teachers shared their reflective journals and engaged in conversations with the facilitators and also with their peers. Following one participant’s postings over a span of thirteen months helped the research team to narratively explore how the teacher, through reflections and interactions with his other fellow community members, refined his personal practical knowledge and cultivated his best-loved self as a teacher-principal in a rural school in China that lacked learning resources. Highlighted in the discussions are how the participant integrated his personal being with his professional being and eventually became the teacher he wanted to be. This research study adds to the literature about teachers as agents of change. This knowledge contribution, among others related to technology, shows how professional development and the development of teacher identity can be promoted in online teacher knowledge communities. Implications for teacher education are also discussed.     

“侗不离酸”与侗家的民族认同

侗族嗜酸,侗酸种类繁多,醇香可口,有荤酸、素酸、腌酸、煮酸等等。侗族谈情说爱不离酸,婚俗不离酸,育俗不离酸,丧俗不离酸,"月也"待客不离酸,建房不离酸,于是嗜酸也就成了区分侗族与其他民族的一个边界,从而赋予"侗不离酸"具有民族认同的功能。     

论审美心理结构的民族性及其对民族艺术的规范

民族审美心理不是一成不变的,而是日臻完善丰富的。它一旦得以深化之后便遥控民族所有的个体审美心理的生成。这集中体现在对神、宗教,对现实人生的态度和对民族艺术的规范上。稳定的民族审美心理结构,对于不同艺术的创造、功能、本质和欣赏都有着规范。