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Infant joint attention has been observed to be related to social-emotional outcomes in at-risk children. To address whether this relation is also evident in typically developing children, 52 children were tested at 12, 15, 24, and 30 months to examine associations between infant joint attention and social outcomes. Twelve-month initiating and responding to joint attention were related to 30-month social competence and externalizing behavior, even when accounting for 15-month temperament ratings, 24-month cognition and language, and demographic variables. These results suggest that, in addition to associations with language and cognition, infant joint attention reflects robust aspects of development that are related to individual differences in the emergence of social and behavioral competence in childhood.  相似文献   
3.
Adolescence is characterized as a period of social reorientation toward peer relationships, entailing the emergence of sophisticated social abilities. Two studies (Study 1: = 42, ages 13–17; Study 2: = 81, ages 13–16) investigated age group differences in the impact of relationship reciprocation within school‐based social networks on an experimental measure of cooperation behavior. Results suggest development between mid‐ and late adolescence in the extent to which reciprocation of social ties predicted resource allocation. With increasing age group, investment decisions increasingly reflected the degree to which peers reciprocated feelings of friendship. This result may reflect social‐cognitive development, which could facilitate the ability to navigate an increasingly complex social world in adolescence and promote positive and enduring relationships into adulthood.  相似文献   
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Block  Alan 《Prospects》2021,51(1-3):193-203
PROSPECTS - The presence of COVID-19 means that the world will not return to a prior normal, but we cannot yet know into what future we will head. The world will have considerably changed from the...  相似文献   
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ABSTRACT

The authors argue that there will be a critical mass of women in leadership positions in kinesiology and across higher education for substantial gender-based mentoring to take place in the 21st century. First, the current state of women in higher education leadership, trends in mentoring, and the reasons it is important for women who have aspirations to advance in their careers are examined. The authors argue that it is important to have access to gender-based guidance and support that are critical to successful leadership into the future. The authors advocate for a focused, purposeful type of mentoring supported by relational-cultural theory and narrative practice. Men will continue to be important mentors for women, but the authors argue that, at the same time, women also need to have access to the perspectives of other women who have forged the way into higher education administration.  相似文献   
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The founding of the Korean Women Taekwondo Federation means the fetal movement of women taekwondo in Korea and it can be said to have been quite significant in that it increased women's confidence in their statuses and activities in the environments of the times when women's social activities were increasing. The development of women taekwondo competitions began in earnest when the first women taekwondo hall in the world was opened as a result of passionate activities of early female taekwondo practitioners and the first taekwondo club was established in Ehwa Woman's University. Women's aspiration towards the challenge to the Olympic Games as well as international competitions is gradually increasing through the expansion of the base of women taekwondo. The status of women taekwondo in Korea that has been enhanced through challenges to various international competitions thus far beginning with the single taekwondo championship of foreigners in Korea in 1968 can be said to have contributed to the enhancement of the status of Korea as the birthplace of taekwondo and it is considered that women taekwondo could have continuously developed through diverse taekwondo championships by age held with women's steady effort and the expansion of the base of women taekwondo instructors.  相似文献   
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3. HISTORY     
MEGAMEDIA: HOW GIANT CORPORATIONS DOMINATE MASS MEDIA, DISTORT COMPETITION AND ENDANGER DEMOCRACY by Dean Alger (Lanham, MD: Rowman &; Littlefield, 1998—$27.95, ISBN 0–8476–8389–3, 277 pp., cartoons, notes, index)

UNDER THE RADAR: TALKING TO TODAY'S CYNICAL CONSUMER by Jonathan Bond and Richard Kirshenbaum (New York: Wiley “Adweek Books,”; 1998—$27.95, ISBN 0–471–17469–6, 226 pp., photos, credits, index)

MEDIA IN AMERICA: THE WILSON QUARTERLY READER edited by Douglas Gomery (Baltimore: Johns Hopkins University Press, 1998 [rev. ed.]—$40.00/17.95, ISBN 0–943875–86–2 hard, 0–943875–87–0 paper, 303 pp., index)

THE ADVERTISING AGENCY BUSINESS: THE COMPLETE MANUAL FOR MANAGEMENT &; OPERATION by Eugene J. Hameroff (Lincolnwood, IL: NTC Business Books, 1998 [3rd ed.]—$39.95, ISBN 0–8442–3169‐x, 275 pp., index)

MEDIA MANAGEMENT: A CASEBOOK APPROACH by Ardyth Broadrick Sohn, et al. (Mahwah, NJ: Lawrence Erlbaum Associates “LEA's Communication Series,”; 1998 [2nd ed.]—$39.95, paper, ISBN 0–8058–3026‐X, 383 pp., tables, notes, references, index)

GLOBAL PRODUCTIONS: LABOR IN THE MAKING OF THE “INFORMATION SOCIETY”; edited by Gerald Sussman and John Lent (Cresskill, NJ: Hampton Press “Communication Series,”; 1998—$65.00, ISBN 1–57273–171–0, 317 pp., map, charts, tables, references, index)

ENTERTAINMENT INDUSTRY ECONOMICS: A GUIDE FOR FINANCIAL ANALYSIS by Harold L. Vogel (New York: Cambridge University Press, 1998 [4th ed.]—$39.95, ISBN 0–521–59438–3, 490 pp., charts, tables, chapter readings, references, glossary, appendices, index)

MEDIA MERGERS edited by Nancy J. Woodhull and Robert W. Snyder (New Brunswick, NJ: Transaction Books “Media Studies Series,”; 1998—price not given, paper, ISBN 0–7658–0409–3, 184 pp., charts, further reading, index)  相似文献   
10.
Motion pictures     
THE FILMS OF MICHELANGELO ANTONIONI by Peter Brunette (New York: Cambridge University Press “Cambridge Film Classics,”; 1998—$49.95/paper price not given, ISBN 0–521–38085–5 hard, 0–521–38992–5 paper, 186 pp., selected bibliography, filmography, notes, photos, index)

BACK IN THE SADDLE AGAIN: NEW ESSAYS ON THE WESTERN edited by Edward Buscombe and Roberta E. Pearson (London: British Film Institute, 1998—$60.00/22.50, ISBN 0–85170–660–6 hard, 0–85170–661–4 paper, 218 pp., chapter notes, photos, color advertising plates, index)

REPRESENTING THE WOMAN: CINEMA AND PSYCHOANALYSIS by Elizabeth Cowie (Minneapolis: University of Minnesota Press, 1997—$18.95 paper, ISBN 0–8166–2913–7 hard, 0–8166–2913–7 paper, 397 pp., chapter notes, photos, index)

TRACKING KING KONG: A HOLLYWOOD ICON IN WORLD CULTURE by Cynthia Erb (Detroit, MI: Wayne State University Press “Contemporary Film and Television Series,”; 1998—$24.95, paper, ISBN 0–8143–2686–2, 238 pp., bibliography, chapter notes, index)

IMAGES OF THE PASSION: THE SACRAMENTAL MODE IN FILM by Peter Fraser (Westport, CT: Praeger, 1998—$65.00/22.95, ISBN 0–275–96464–7 hard, 0–275–96465–5 paper, 201 pp., bibliography, filmography, chapter notes, photos, index)

DOCUMENTING THE DOCUMENTARY: CLOSE READINGS OF DOCUMENTARY FILM AND VIDEO edited by Barry Keith Grant and Jeannette Sloniowski (Detroit, MI: Wayne State University Press, 1998—$27.50, paper, ISBN 0–8143–2639–0, 488 pp., film and video distributors’ address list, chapter notes, general bibliography, index)

HOLLYWOOD RENAISSANCE: THE CINEMA OF DEMOCRACY IN THE ERA OF FORD, CAPRA, AND KAZAN by Sam B. Girgus (New York: Cambridge University Press, 1998—$59.95/paper price not given, ISBN 0–521–62388‐X hard, 0–521–62552–1 paper, 258 pp., index, chapter notes, filmography, B&W photos)

IN THE COMPANY OF WOMEN: CONTEMPORARY FEMALE FRIENDSHIP FILMS by Karen Hollinger (Minneapolis: University of Minnesota Press, 1998—$47.95/18.95, ISBN 0–8166–3177–8 hard, 0–8166–3178–6 paper, 275 pp., chapter notes, photos, index)

INDIGENOUS AESTHETICS: NATIVE ART MEDIA AND IDENTITY by Steven Leuthold (Austin: University of Texas Press, 1998—$35.00/16.95, ISBN 0–292–74702–0 hard, 0–292–74703–9 paper, 238 pp., bibliography, filmography, photos, index)

PASSPORT TO HOLLYWOOD: HOLLYWOOD FILMS, EUROPEAN DIRECTORS by James Morrison (Albany: State University of New York Press “SUNY Series in Postmodern Culture,”; 1998—$65.00/21.95, ISBN 0–7914–3937–2 hard, 0–7914–3938–0 paper, 310 pp., bibliography, chapter notes, photos, index)

EDISON MOTION PICTURES, 1890–1900: AN ANNOTATED FILMOGRAPHY by Charles Musser (Washington, DC: Smithsonian Institution Press, 1998—$75.00, ISBN 1–56098–567–4, 720 pp., illustrations, bibliography, indexes for film titles, personal and corporate names, subjects, and locations)

THE FILMS OF JOHN FRANKENHEIMER: FORTY YEARS IN FILM: JOHN FRANKENHEIMER TALKS ABOUT HIS LIFE IN THE CINEMA TO GERALD PRATLEY by Gerald Pratley (Bethlehem, PA: Lehigh University Press, 1998—$55.00, ISBN 1–900541–40–8, 294 pp., photos, film credits, index)

SAVAGE CINEMA: SAM PECKINPAH AND THE RISE OF ULTRAVIOLENT MOVIES by Stephen Prince (Austin: University of Texas Press, 1998— $35.00/18.95, ISBN 0–292–76581–9 hard, 0–292–76582–7 paper, 282 pp., bibliography, chapter notes, photos, index)

FOR THE LOVE OF PLEASURE: WOMEN, MOVIES, AND CULTURE IN THE TURN‐OF‐THE‐CENTURY CHICAGO by Lauren Rabinovitz (New Brunswick, NJ: Rutgers University Press, 1998—$49.00/19.00, ISBN 0–8135–2533–0 hard, 0–8135–2534–9 paper, 233 pp., film index, bibliography, chapter notes, photos, index)

REALITY TRANSFORMED: FILM AS MEANING AND TECHNIQUE by Irving Singer (Cambridge, MA: MIT Press, 1998—$25.00, ISBN 0–262–19403–1, 216 pp., notes, photos, index)

THE NEW HISTORICAL DICTIONARY OF THE AMERICAN FILM INDUSTRY by Anthony Slide (Lanham, MD: Scarecrow Press, 1998—$55.00, ISBN 0–8108–3426‐X, 267 pp., resource libraries and institutions addresses, index)

FRAMING LATIN AMERICAN CINEMA: CONTEMPORARY CRITICAL PERSPECTIVES edited by Ann Marie Stock (Minneapolis: University of Minnesota Press “Hispanic Issues, Vol. 15,”; 1997—$47.95/18.95, ISBN 0–8166–2972–2 hard, 0–8166–2973–0 paper, 269 pp., chapter notes, photos, index)

MODES OF REPRESENTATION IN SPANISH CINEMA edited by Jenaro Talens and Santos Zunzunegui (Minneapolis: University of Minnesota Press “Hispanic Issues, Vol. 16,”; 1998—$54.95/21.95, ISBN 0–8166–2974–9 hard, 0–8166–2975–7 paper, 346 pp., chapter notes, index)

WORKING GIRLS: GENDER AND SEXUALITY IN POPULAR CINEMA by Yvonne Tasker (New York: Routledge, 1998—hardcover price not given/$19.99, ISBN 0–415–14004–8 hard, 0–415–14005–6 paper, 234 pp., bibliography, chapter notes, filmography, photos, index)

THE ENCYCLOPEDIA OF NOVELS INTO FILM edited by John C. Tibbetts and James M. Welsh (New York: Facts on File, 1998—$48.00, ISBN 0–8160–3317‐X, 522 pp., filmographies, references, appendices including biographical sketches of authors, selected bibliography, index)

GUIDE TO AMERICAN CINEMA, 1930–1965 by Thomas R. Whissen (Westport, CT: Greenwood Press “Reference Guides to the World's Cinema,”; 1998—$79.50, ISBN 0–313–29487–9, 389 pp., appendixes, bibliography, index)

ALLEGORIES OF UNDERDEVELOPMENT: AESTHETICS AND POLITICS IN MODERN BRAZILIAN CINEMA by Ismail Xavier (Minneapolis: University of Minnesota Press, 1997—$54.95/21.95, ISBN 0–8166–2676–6 hard, 0–8166–2677–4 paper, 285 pp., chapter notes, photos, index)  相似文献   
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