从麦琪的塑造看《弗洛斯河上的磨坊》的写作特征

英国著名的女性小说家乔治·艾略特的早期代表作《弗洛斯河上的磨坊》最引人注目的特征是与很强的自传成分连在一起的东西。她将自己的经历、对传统道德因素的深刻洞察以及当时广泛流传的新思想统统融入到了女主人公麦琪身上。作品中不仅保留传统的一面,同时也不乏许多现代元素。     

乔治·桑妇女小说形象解析

乔治·桑早期妇女小说是作者自身体验的写照,表达了对父权制社会中女性不幸命运的同情以及对作为压迫者的卑劣男性的谴责,并把获得美好爱情的希望寄托于理想男性。乔治·桑没有提出解决妇女问题的有效办法,却传递出了对理想生活的追求,反映了女性意识的觉醒。     

小布什及其政府违宪表象剖析

《美利坚合众国宪法》第二条第二款及第三款以枚举方式明文规定了赋予总统的权力,而美国开国元勋们更是力图在《宪法》框架内建立强有力联邦政府的同时,以《宪法》所体现的“联邦制”和“三权分立、权力制衡”原则对联邦政府及总统权力加以限制。而小布什出任美国总统至今,却一再违背其两度宣誓就职时“竭尽全力贯彻、保护和捍卫合众国宪法”的誓言,以种种理由为借口挑战《宪法》权威性,在尼克松“帝王式总统制”基础上又向前迈进了一大步。文章即旨在对小布什及其政府的违宪表象进行简要梳理分析,并就其作为给出客观公正的评价。     

Culture without “world”: Australian cultural policy in the age of stupid

In March 2013, after six years of consultation, an Australian Labor government launched the national cultural policy document, Creative Australia. In July 2013, a Coalition government was elected, Senator George Brandis became Minister for the Arts, and the policy was dumped. With it went cross-party consensus about funding rationales and measurement strategies, with disastrous consequences for the cultural sector. This cautionary tale of gaffes, pay-back and abrupt changes of direction, highlights the fragility of policy memory that condemns artists and arts managers to a never-ending reinvention of the evidentiary wheel. Our paper examines the problem of collective understanding (“world”) in cultural policy-making in Australia, exacerbated not only by the short-term electoral cycles which undermine long-term cultural outcome timescales, but by a fixation on what Hannah Arendt calls “the peculiar and ingenious replacement of common sense with strict logicality”. Evidence of value is only meaningful when it occurs in a policy memory that can fully avow it and respond in appropriate ways. Measurement methods are over-determined by epistemology and by experience. We argue that the balance between these determinants of effective cultural policy-making has been lost. An emphasis on numerical data – especially economic data – has forced arguments for culture into a decontextualised register of quantitative proof. Recent events in Australia suggest that different, more direct ways of engaging with cultural policy-making are required for the problem of collective understanding to be successfully assayed.     

论《织工马南传》中的和谐主题

结合中国传统道德原则和规范，分析了西拉斯·马南人生中三次重要事件的原因和结果，指出了建立和谐的人伦关系，对维护家庭和睦和社会安定产生着积极深远的影响，爱别人的人才能长久地得到别人的爱。     

基于乔治预测法评估最大摄氧量的可靠性研究

本研究目的主要探索采用跑步经济性测量相关指标基于乔治预测法评估最大摄氧量(VO2max)的可靠性。研究思路通过Bland-Altman方法来比较VO2max乔治预测法和实验室测试法的一致性。研究对象选择8名受过良好中长跑训练的运动系学生,受试者的基本情况:年龄(21.50±0.53)岁、身高(172.2±3.89)cm、体重(63.2±3.72)kg。第一天测试VO2max,隔日在跑台以次最大强度下测试跑步经济性相关指标(摄氧量、心率、体重等)。研究结果发现,通过乔治预测法估算获得8名受试者的VO2max值比实验测试值略高,但通过配对样本t检验发现,两组数据之间的差异不具有显著性(p=0.306(0.05),8个差值均位于95%一致性界限以内。研究结论认为,VO2max乔治预测法和实验室测试法一致性较好,采用跑步经济性测量相关指标基于乔治预测法测量评估VO2max比较可靠,评估结果可以达到实验室测试法的效果。     

女性哥特视野下的《弗洛斯河上的磨坊》

《弗洛斯河上的磨坊》是乔治·艾略特前期作品中最著名的小说之一。它继承了英国女性哥特小说的传统,蕴含了大量女性哥特小说的元素,集中体现在女性形象的矛盾性及其双重作用、女性与父权制度的矛盾关系和小说文本的矛盾性这三个方面。在女性哥特这一新的视角下考察这部小说,有助于读者深入理解乔治·艾略特女性意识的矛盾性。     

The Narrative Authority of George Eliot in Middlemarch:An Analysis of Dorothea and Her Marriages

Middlemarch is considered Eliot's one of the most controversial novels. Most critics apply feminist criticism to unscramble the novel and draw that it's a comedown of feminist fight and a loss of feminist discursive authority for the protagonist Dorothea hides in the protection of marriage.The paper aims to employ the theory of feminist narratology to reinterpret Middlemarch. Through the analysis of the two marriages of Dorothea, the dissertation draws the conclusion that Eliot manages to win the discursive authority in a man-dominating era, and the authority is based on a dual voice-the voice of a woman writing in the name and company of men.     

On George Orwell ’ s Politics and the English Language

George Orwell is an important essayist in the 20th century and of great influence for his critical essays. Politics and the English Language is an essay with an aim to criticize the misused English at the historical setting when World War Ⅱ was about to break out. The following article is to explore the essay＇ s language style and its theme.     

On the teachings of George Grant

One of Canada’s greatest public intellectuals, George Grant (1918–1988) studied history as an undergraduate, focusing on concepts and themes rather than minutiae. That same intellectual disposition surfaced later at Oxford, where he had gone on a Rhodes scholarship to study law. Returning to Oxford after the war, he left law to study theology, earning extra money by writing historical articles on Canada for Chambers’ Encyclopedia. Even after becoming the most prominent Canadian philosopher of his time, Grant maintained he always thought like an historian. Reactivating the historical thinking of George Grant can encourage ‘becoming historical’.