Performative technologies and teacher subjectivities: A conceptual framework

Critical educational literature suggests that an increased reliance upon performative technologies is currently transforming the very foundations from which teacher subjectivities are constructed. Arguably though, the number of studies pointing to this risk or tendency is considerably larger than the ones theorising why this should be the case. Further, in those cases where the relationship between performative technologies and teacher subjectivities is theorised, the psychological mechanisms that the technologies appeal to are seldom brought to the fore. Based on this, the purpose of this article is to theorise the psychological mechanisms that performative technologies appeal to and work through, by means of identifying, systematising and elaborating extant understandings of such mechanisms in the critical educational literature. The results are presented in the form of a conceptual framework (referred to as the CMIS-framework) which suggests that one and the same performative technology may play many different roles, where each such role appeals to and works through a particular psychological mechanism. Importantly, depending on the type of psychological mechanism that is appealed to, the CMIS-framework suggests that this will lead to teachers (un)consciously conducting particular forms of subjectivising work upon themselves, here referred to as compliance, mirroring, identification and self-realisation (CMIS).     

数学知识观的演变及其对人的认识主体性的意义

数学认识论的进步日益显示出数学作为人类的一种文化建构的本质。现代性视域下的主体性观念有其自身的缺陷。数学知识观的演变赋予认识论许多新的意义。数学用无可辩驳的真理对人的终极性主体地位给予了一个令人满意的科学论证。     

论21世纪高校体育教育重心的转移

高校体育教育重心的转移，是21世纪我国高校体育教育研究的重要课题。从几个层面概述了作者的某些观点，以期与同行专家共同探讨。     

社会规律主体性与客观性的辩证统一

社会规律是主体活动的结果 ,社会规律存在于社会主体的活动之中 ,但主体的社会实践活动本身并不等于社会规律。社会规律反映的是人与自然和人与人之间的关系 ,是社会主体实践活动的产物 ,是主体自我运动、自我发展、自我实现的自组织规律 ,因此社会规律是自为的规律。社会主体的物质生产活动实质上是社会主体和自然界的统一活动 ,物质生产活动首先要遵循自然规律。自然物质及其规律的客观性决定了历史活动的客观性。社会主体的物质生产活动是客观的物质性的活动 ,生产活动的物质性和客观性 ,决定了社会主体活动的客观性 ,社会主体活动的客观性决定了社会规律的客观性。     

"多层感官动静结合讲解法"在武术普修课中的实施——将被动的"鸭"变成主动的"人"

教学方法的改革是提高教学质量的重要途径。章以当前教学改革的新目标及现代教学理论的新要求为依据，结合武术自身特点的优势，在教学过程中，提出并实施“多层感官动静结合讲解法”。该法不仅能充分调动学生的积极性和主动性，激发学生的学习兴趣，把学生由过去在课堂上被动的被“填”的“鸭子”变成有思考能力的、有主观能动性的人，同时，极大地提高了学生的专业技能及逻辑思维能力。     

A quantitative and model-driven approach to assessing higher education in the United States of America

University ranking or higher education assessment in general has been attracting more and more public attention over the years. However, the subjectivity-based evaluation index and indicator selections and weights that are widely adopted in most existing ranking systems have been called into question. In other words, the objectivity and impartiality of those rankings has been worrisome. To address these concerns, this paper presents a quantitative and model-driven approach to acquiring the evaluation index and indicator weights in the US News & World Report ranking system. Structural equation modelling will be applied to mine non-subjective weights from collected data. The proposed approach will be validated using two groups of United States universities, National Universities and Liberal Arts Colleges, classified by the US News & World Report. Managerial and administrative implications will also be explored. This study shows a very promising future because it opens a new venue for the scholars and practitioners in the higher education assessment field to develop a real-time, scalable and model-driven higher education ranking system.     

中学生主体性与心理健康的相关研究

运用ZTX和MHT量表对郑州市两所中学学生进行问卷调查结果表明：中学生主体性水平与其心理健康水平存在显著负相关;中学生主体性水平越高,其心理健康水平则越高。     

总括副词“至少”的主观性

人们通常认为副词＂至少＂表示的意义是＂最低限度＂,但在实际的运用当中,＂至少＂有＂不止＂、＂不仅仅＂的规约含意。由于＂至少＂的使用与说话人紧密相关,因此不可避免地带上了说话人自我的印记。＂至少＂的规约含意＂不止＂、＂不仅仅＂表现了说话人对句子命题的主观介入,表现为说话人对句子命题的肯定程度或对命题的主观认识。在北京大学现代汉语语料库（CCL）中包含＂至少＂的语料中,＂至少＂的用法归纳为标记和无标记用法。在这两种用法中,＂至少＂的主观性体现了说话人主观认识、主观解释、主观情感。     

非个人化与作者之死--论西方文论中的主体性问题

本文论述了西方文论中的创作主体性问题.欧洲诗学传统精神是对创作主体加以消解.到了19世纪浪漫主义文论高扬作家主体,作家的地位至高无上.济慈以"消极感受力"、艾略特以"非个人化"理论对浪漫主义进行反驳,成为新批评的先声.苏珊·朗格以形式主义符号学来调和个人感情和社会公共感情之间的矛盾.结构主义和后结构主义认为作者已"死".     

回归后的香港新诗创作

20世纪90年代以来的香港诗坛并未因九七回归导致香港新诗主体性的消失和创作自由的失落,反而由于有“艺术发展局”的资助,诗刊、诗集的出版显得更加丰富多元。在诗体建设方面,颂歌的勃兴和散文诗的崛起,是最值得重视的现象。“立足香港,胸怀祖国,放眼世界”的香港新诗,就这样以自由的独特风姿屹立在新世纪的两岸四地诗坛中。