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魏晋南北朝石刻文字源流举隅
引用本文:张颖慧.魏晋南北朝石刻文字源流举隅[J].铜仁学院学报,2014(6):124-127.
作者姓名:张颖慧
作者单位:贵州师范学院文学院,贵州贵阳550018
摘    要:对魏晋南北朝时期"凷(塊)""俛(俯、頫)""囯(國)""冈(冖又])、罔""皂(皁)"等五组典型字例进行析源导流的分析,认识到魏晋南北朝时期,汉字构件符号化特征增强,且表现较强势,使此时期的文字显示出形体演进的多途性,字形较"乱"。但字形通过旧理据的维持和新理据的建立依然能支撑起系统的平衡,表现出动态中的稳定,故"乱"而有矩。

关 键 词:石刻文字  隶变  多途探索

Some Examples about Stone Carving Characters in the Source During Wei,Jin, South and North Dynasties
ZHANG Yinghui.Some Examples about Stone Carving Characters in the Source During Wei,Jin, South and North Dynasties[J].Journal of Tongren University,2014(6):124-127.
Authors:ZHANG Yinghui
Institution:ZHANG Yinghui ( School of Liberal Arts, Guizhou Normal College, Guiyang, Guizhou 550018, China )
Abstract:Based on the source analysis on the five groups of typical stone carving characters:“凷(塊)”,“俛(俯、頫)”,“囯(國)”,“冈(冖又]),罔”and“皂(皁)”in the period of Wei, Jin, South and North dynastes, the result shows that the symbol features of ancient Chinese characters seemed to be greatly obvious, which made its evolution into multiply form so as to be “fairly orderless”. However, the changing system kept its banlence in the dynamical situation by means of maintaining the existing rules and setting up the new ones.
Keywords:stone carving characters  transforming Li Shu  exploring in many aspects
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