| 自由低音手风琴复调音乐作品的风箱探索与运用——《恰空》舞曲的风箱设计与实践 |
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| 引用本文： | 何艳.自由低音手风琴复调音乐作品的风箱探索与运用——《恰空》舞曲的风箱设计与实践[J].山东教育学院学报,2009,24(1):92-95. |
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| 作者姓名： | 何艳 |
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| 作者单位： | 山东教育学院音乐系,山东,济南,250013 |
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| 摘 要： | 自由低音手风琴作为年轻的键盘乐器,在演奏复调音乐方面有着独特的优势与魅力。本文从自由低音手风琴的演奏机制出发,探讨复调音乐作品《恰空》舞曲的风箱设计与运用,旨在提高演奏者的风箱驾驭能力与综合音乐能力。
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| 关 键 词： | 自由低音手风琴 复调音乐 恰空 风箱 |
Free Bass Accordion Duplicate Accent Music Work Bellower Exploration and Utilization——" Chaconne" Dance Music Bellower Design and Practice |
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| He Yan.Free Bass Accordion Duplicate Accent Music Work Bellower Exploration and Utilization——" Chaconne" Dance Music Bellower Design and Practice[J].Journal of Shandong Education Institute,2009,24(1):92-95. |
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| Authors: | He Yan |
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| Institution: | Music Department;Shandong Institute of Education;Jinan 250013;China |
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| Abstract: | The free bass accordion took the young keyboard instrument,is playing the duplicate accent music aspect to have the unique superiority and the charm.This article embarks from the free bass accordion performance mechanism,discusses the duplicate accent music work "Exactly Spatial" the dance music bellower utilization and the design,is for the purpose of sharpening performer's bellower control ability and comprehensive music ability. |
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| Keywords: | Free bass accordion Duplicate accent Chaconne Bellower |
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