朦胧诗的终结与出路--兼论朦胧诗思大于诗的诗学意义

关于朦胧诗的终结问题,许多评论家都作过一定的探析,但大多停滞于诗歌的外部而失于客观.本文试图依托朦胧诗相关文本及创作主体的心态,以及西方文艺理论诸如巴赫金的"狂欢化诗学"及海德格尔关于诗与思的论述去观照朦胧诗.朦胧诗人善于思索现实生存的虚幻性而表达对真实生存的向往,这是一代人精神的隐喻性的表达,也是其成就一批经典诗歌的诗学根据.但是朦胧诗人过多地为"生存"而构建诗歌,忽视了本真的诗意而被搁置于哲学的海滩.本文试图从思大于诗这一症结为切人口去分析朦胧诗,并力图为当下诗歌寻找一个可能性的发展出口.

The Ending and Prosperity of Obscure Poems--Comment also on the Thinking Important than Poetic Quality of Obscure Poems

About the end of obscure poems some analyses have been published.However,most of them argued from the angle of outside of poetry,which is not objective.Analyzing with Western theories such as Brkhtion's"poetries of carnivalioation"and Heidergger's argument about poetry,the paper concerns about ob-scure poetry.The poets are good at expressing their desire for the real existence from the contract with the illusory of realistic survival,which is the metaphorical expression of the spirit of a whole generation.For the reason of creating poem for the purpose of existence and ignoring the poetic expression,many poets are con-fined by expressing philosophy.From the symptom of poetry thought more important than poem quality,the paper analyses obscure poems,desiring to find a possible way for the contemporary poem creation.