| 戏中戏的寓意--徐渭《四声猿》别解 |
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| 引用本文： | 王翚.戏中戏的寓意--徐渭《四声猿》别解[J].徐州师范大学学报(哲学社会科学版),2005,31(5):15-18. |
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| 作者姓名： | 王翚 |
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| 作者单位： | 南京邮电大学,宣传部,江苏,南京,210003 |
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| 摘 要： | 在中国戏曲史上,明代徐渭的《四声猿》具有独特的价值。由于徐渭个人特殊的遭遇和狂狷的个性,《四声猿》给后人留下了丰富的研究空间。从徐渭的生平和个性气质来看,《四声猿》并非不相关联的四个单剧,它们充分透发出徐渭在胡宗宪幕府的生活及其后的种种遭际,是徐渭经过精心组合的一组作品;尤其是四个剧中所统一体现的“戏中戏”的结构模式更是别具隐喻色彩,而《玉禅师》一剧在编排中则“扮演”着非常关键的角色。
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| 关 键 词： | 徐渭 《四声猿》 戏中戏 |
| 文章编号： | 1007-6425(2005)05-0015-04 |
| 收稿时间： | 2004-11-03 |
| 修稿时间： | 2004年11月3日 |
The Moral of Sishengyuan |
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| WANG Hui.The Moral of Sishengyuan[J].Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition),2005,31(5):15-18. |
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| Authors: | WANG Hui |
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| Institution: | Posts and Telecommunications, Nanjing University, Nanjing 210003, China |
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| Abstract: | Xuwei's Sisheng Yuan have particular value in the history of the Chinese drama.Because xuwei was temperamental and suffered many mishaps in his life,so his drama is complex.The thesis try to find out the connection of the four dramas that had alluded xuwei's stories.For especial intention,xuwei collocated the four dramas,and it was noticeable that the four dramas have the same configuration,and Monk Yu is the key. |
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| Keywords: | xuwei Sishengyuan the drama in the drama |
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