| 李耕绘画的艺术定位 |
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| 引用本文： | 郑宜平.李耕绘画的艺术定位[J].莆田学院学报,2011,18(1):95-100. |
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| 作者姓名： | 郑宜平 |
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| 作者单位： | 莆田学院,艺术系,福建,莆田,351100 |
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| 摘 要： | 作为民间职业画师,李耕的绘画体现了民间审美趣味,具备民间艺术"俗"的特征,但是他的绘画价值、形态和精神追求却具备了主流文人画"雅"的特征。立足于当今雅俗蜕变、新旧交融的文化环境,从民间画师身份、文人画体式、雅俗兼融意趣三个方面为李耕绘画进行艺术定位,为理解传统绘画艺术的发展提供新视角。
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| 关 键 词： | 李耕 民间画师 文人画 雅俗 艺术定位 |
Analysis of the Art Orientation about LI Geng's Painting |
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| ZHENG Yi-ping.Analysis of the Art Orientation about LI Geng's Painting[J].journal of putian university,2011,18(1):95-100. |
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| Authors: | ZHENG Yi-ping |
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| Institution: | ZHENG Yi-ping(Art Department,Putian University,Putian Fujian 351100,China) |
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| Abstract: | LI Geng,as a folk occupational artist,his painting not only reflects many factors of the folk aesthetic taste,and possesses the features of folk art-vulgarity,but also carries the features of the popular scholar painting-elegance in his painting value,modality as well as the spiritual pursuit.The thesis stands on today's culture environment that elgance and vulgarity interpenetration and new and old interwork,orient the art station for LI Geng's Painting from three aspect-folk artist identity,scholar painti... |
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| Keywords: | LI Geng folk artist scholar painting elegance and vulgarity qrient art station |
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