| 浅论谢榛《四溟诗话》"诗的含糊性"问题 |
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| 引用本文： | 吕君丽.浅论谢榛《四溟诗话》"诗的含糊性"问题[J].伊犁教育学院学报,2006,19(3):46-49. |
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| 作者姓名： | 吕君丽 |
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| 作者单位： | 安徽师范大学,文学院,安徽,芜湖,241000 |
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| 摘 要： | 中国古代的诗歌中,大量的千古名句具有一种朦胧的意境,诗歌理论中早就注意到了这个问题。谢榛论诗,以含糊为美。以“妙在含糊”理论为基点,围绕这一理论,分析诗歌鉴赏如何“以含糊为美”,以及达到这一标准的具体的诗歌创作方法。
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| 关 键 词： | 含糊 情与景 虚实 意与象 |
| 文章编号： | 1009-0487（2006）03-0046-04 |
| 收稿时间： | 2006-03-29 |
| 修稿时间： | 2006-03-29 |
Discussing the Question of Poem Ambiguous in Xie Zhen's Notes on Classical Poets and Poetry of Si Ming |
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| LV Jun-li.Discussing the Question of Poem Ambiguous in Xie Zhen''''s Notes on Classical Poets and Poetry of Si Ming[J].Journal of Yili Education College,2006,19(3):46-49. |
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| Authors: | LV Jun-li |
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| Institution: | Literature College of Anhui Normal University,Wuhu Anhui 241000, China |
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| Abstract: | In Chinese ancient poems,a large number of well-known verses have a sort of artistic conception,and it has been noticed for a long time in the theory of poetry.Xie Zhen studied poems with the criterion of connotation,this article makes"obscurity is wonderful" as the basic point,and surrounding this point,analyses how he talked it in appreciating poems,and how to reach this criterion in composing poems. |
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| Keywords: | obscurity sentiment and lanscape imaginary and substantial implication and condition |
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