| 从山水诗看小谢对大谢的艺术新变 |
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| 引用本文： | 廉红红.从山水诗看小谢对大谢的艺术新变[J].安徽广播电视大学学报,2002(2):73-75. |
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| 作者姓名： | 廉红红 |
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| 作者单位： | 安徽大学中文系,安徽,合肥,230039 |
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| 摘 要： | 谢月兆,是继谢灵运之后,南朝山水诗的又一个突出代表.他对大谢既有继承又有突破,形成了自己独特的清新风格.本文试从情感、结构及语言三方面对二人加以比较,以论述小谢山水诗创作的艺术新变.
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| 关 键 词： | 山水诗 谢月兆 谢灵运 艺术风格 清新 主观情思 结构 语言 |
| 文章编号： | 1008-6021(2002)02-0073-03 |
Xie Tiao's Artistic Style Compared with Xie ling- yun's in Poems of Scenery |
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| LIAN Hong-hong.Xie Tiao''s Artistic Style Compared with Xie ling- yun''s in Poems of Scenery[J].Journal of Anhui Television University,2002(2):73-75. |
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| Authors: | LIAN Hong-hong |
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| Abstract: | After Xie Ling-yun ,Xie Tiao was another remarkable representative of scenery poets in Nan Dynasty. As to the former's works, Xie Tiao both inherited and created, forming his own fresh style. This article compares them from the aspects of feeling,structure and language and then states Little Xie's new artistic style. |
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| Keywords: | artistic style fresh subjective feeling structure language |
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