| 中国油画的“民族化”移植和改造 |
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| 引用本文： | 乔兰.中国油画的“民族化”移植和改造[J].青海师范大学学报(哲学社会科学版),2009(4):102-103. |
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| 作者姓名： | 乔兰 |
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| 作者单位： | 四川师范大学服装学院,四川,成都,610068 |
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| 摘 要： | 中国油画家在民族审美意识的指导下对油画的语言进行探讨和运用,在这过程中体现着崇高的现实主义精神,这种精神不是直接从西方拿来的,而是通过咀嚼和消化,把西洋油画纳入自己的语汇体系,形成富有中国油画民族化的语言风格.这种风格表现了艺术家对生命体验的独特过程,是灵魂的吟唱.
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| 关 键 词： | 油画 民族化 改造 |
The Soil of Oil Painting's Existence and Development in China |
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| QIAO Lan.The Soil of Oil Painting's Existence and Development in China[J].Journal of Qinghai Normal University(Philosophy and Social Sciences Edition),2009(4):102-103. |
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| Authors: | QIAO Lan |
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| Institution: | Sichuan normal university;Chengdu 610068;China |
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| Abstract: | The language for oil painting is studied and applied by Chinese oil painters under the instruction of national aesthetic consciousness in this paper and then a kind of language style with the Chinese oil painting national character formed.There is a lofty realistic spirit during the formation of this kind of language style and both the western oil painting and the spirit generated through the chew and digestion of western oil painting instead of getting it from the West are put into the Chinese language sys... |
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| Keywords: | oil painting nationalization reformation |
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