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《红梅记》与《牡丹亭》的“鬼神”形象比较研究
引用本文:丁雪松.《红梅记》与《牡丹亭》的“鬼神”形象比较研究[J].黑龙江教育学院学报,2014(6):132-134.
作者姓名:丁雪松
作者单位:黑龙江大学文学院,哈尔滨150080
摘    要:在晚明的传奇作品中,鬼情戏的创作是丰富多彩的,《红梅记》与《牡丹亭》都是其中的代表。李慧娘和杜丽娘都是性情女子,在剧作中都被剧作家赋予了深刻的思想感情,同时都是为了爱而离魂还魂,但具体的"情"以及对剧情发展的推动作用又有所区别。基于此,通过对两部传奇的"鬼神"形象的对比,分析其各自的特色,推及"鬼神"形象在传奇作品的重要桥梁作用。

关 键 词:红梅记  牡丹亭  鬼神形象

Research on the Comparison of Ghost and Spirit Image between The Legend of Red Plum and The Peony Pavilion
DING Xue-song.Research on the Comparison of Ghost and Spirit Image between The Legend of Red Plum and The Peony Pavilion[J].Journal of Heilongjiang College of Education,2014(6):132-134.
Authors:DING Xue-song
Institution:DING Xue-song (School of Literature, Heilongjiang University, Harbin 150080, China)
Abstract:In the works of late Ming Dynasty,the creation of ghost love affairs is colorful. The Legend of Red Plum and The Peony Pavilion are two representative works. Li Huiniang and Du Liniang are both emotional females with deep affection attached by the au-thors and wander from the soul for love. However,their affection and their role in pushing forward the plays are different. Hence,this paper compares the ghost images of the two works,analyzes their respective features and puts forward the bridging role of the ghost im-age in legends.
Keywords:The Legend of Red Plum  The Peony Pavilion  ghost and spirit image
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