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论中国画的诗画结合
引用本文:赵静.论中国画的诗画结合[J].天水师范学院学报,2004,24(6):83-84.
作者姓名:赵静
作者单位:西北师范大学,敦煌艺术学院,甘肃,兰州,730070
摘    要:在中国画中诗画结合占有很重要的作用,它的独特魅力就在于它不仅满足感官的审美价值,更满足心理需求的精神价值。中国画的诗画结合有多种形式,广义地认为凡是诗中有画意,画中有诗意皆为诗画结合。诗画结合的核心在于意境、情趣上的一律。因此,艺术家只有超越景象的束缚和理性认识的局限,才能寻求个体精神的自由无限,使人有理性地回归,真正达到诗画结合、天然超俗的境界。

关 键 词:中国画  诗画结合  诗画一律  意境
文章编号:1371-1351(2004)06-0083-02
修稿时间:2004年10月9日

On the Combination of Poetry and Painting in Chinese Painting
ZHAO Jing.On the Combination of Poetry and Painting in Chinese Painting[J].Journal of Tianshui Normal University,2004,24(6):83-84.
Authors:ZHAO Jing
Abstract:The combination of poetry and painting plays a very important role in Chinese painting. Its unique charm lies in the psychological satisfaction of spiritual value as well as sensory satisfaction of aesthetic value. The author concludes that artists can only pursue the limitless freedom of individual spirit to human beings' rational return by surpassing the scenic restriction and rational limitation. Thus, the natural, graceful and unrestrained combination of poetry and painting will be attained.
Keywords:Chinese painting  combination of poetry and painting  artistic conception  
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