S.P.76《维摩诘经变稿》试析──敦煌壁画底稿研究之四

Ｓ．Ｐ．７６白描稿，作者经过详细的分析研究，表明其中的三小部分是为敦煌壁画底稿《维摩诘经变稿》。作者又通过对敦煌莫高窟洞窟壁画《维摩诘经变》的考查，根据画稿与壁画在成作时代、画面内容、佛经版本、布局结构等诸多方面的对应一致，认为Ｓ．Ｐ．７６《维摩诘经变稿》是莫高窟第９８窟《维摩诘经变》的壁画底稿，同时也应为五代宋曹氏归义军时期敦煌壁画绘制的参照底稿。

On the Draft of Illustration of Vimalakitinirdesasutra (Dunhuang Painting S. P. 76)

In the British Museum, London,a draft of line drawing in Chinese traditional ink and brush style of illustration of Vimalakitinirdesasutra can be seen. The paper draft from Dunhuang consists of three fragments and takes a signature S. P. 76 or Ch. 00l44. There are eighteen items of illustrations of Vimalakitinirdesasutra in Dunhuang Mogao Caves. By comparing this draft with these wall paintings,the present paper thinks that the draft S.P.76 actu- ally is a copy for the reproduction of related painting in the east wall of the Mogao Caves no.98, which has been dated to Five Dynasties. The draft was still consulted by the later painters to make other wall wall paintings with similar subject matter.