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“物感”说的哲学基础及其对作家创作的意义
引用本文:王少良,孙红梅.“物感”说的哲学基础及其对作家创作的意义[J].大连大学学报,2011,32(2):1-6.
作者姓名:王少良  孙红梅
作者单位:大连大学文学院;
摘    要:中国古代文学创作的"物感"说,以"天人合一"的思想观念为哲学基础,包容儒家和道家的美学思想。主客体的对待关系,在创作上通于"比兴"手法,而在创作主体条件上,则要求做到"虚静"和"静观",保持创作心态对现实的超越性。在文学理论上,"物感"说具有丰富的心理和情感内容。艺术直觉是其思维的形式,作家感物生情,具有悲感和喜感两种趋向,但艺术情感常以悲为美,抒发悲愤情感的作品,常常更具有美感魅力。

关 键 词:物感说  哲学基础  心理机制  文学创作论

Sense of Thingsthe Philosophical Significance of Its Writers
WANG Shao-liang,SUN Hong-mei.Sense of Thingsthe Philosophical Significance of Its Writers[J].Journal of Dalian University,2011,32(2):1-6.
Authors:WANG Shao-liang  SUN Hong-mei
Institution:WANG Shao-liang,SUN Hong-mei (Dalian University,College of Liberal Arts,Dalian 116622)
Abstract:Ancient Chinese Literature,the sense of things said to Harmony as the philosophical basis of ideology,inclusive of Confucian and Taoist Aesthetics.Relationship between subject and object of treatment, in creative communication in the Xing means,and in the creation of the main conditions,they are required to do Silence and wait and see attitude to maintain creative transcendence of reality.Literary theory, the sense of things,said rich psychological and emotional content.Art in the form of Intuition is the m...
Keywords:The sense of things said  philosophical basis  psychological mechanisms  Literary Creation  
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