| 含蓄暗示与客观展示——论“春秋笔法”对《红楼梦》叙事艺术的影响 |
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| 引用本文： | 陈才训.含蓄暗示与客观展示——论“春秋笔法”对《红楼梦》叙事艺术的影响[J].四川师范学院学报,2008(4):6-10. |
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| 作者姓名： | 陈才训 |
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| 作者单位： | [1]黑龙江大学文学院,黑龙江哈尔滨150080; [2]北京师范大学文学院,北京100875 |
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| 基金项目： | 2007年黑龙江教育厅社科资助项目 |
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| 摘 要： | 作为曹雪芹的主要叙事谋略，尚简用晦的“春秋笔法”在《红楼梦》中有着广泛而成功的运用，这使《红楼梦》在叙事艺术上主要表现为两个方面：含蓄暗示与客观展示。具体而言，隐晦的“春秋笔法”使小说在情节设置、人物形象塑造、意旨表达等许多方面达到深文曲笔、义见丈外的艺术效果；讲究客观冷静的“春秋笔法”还使小说在客观叙事方面达到相当高度，作者分别采取与叙述者刻意疏离、运用限知视角、客观叙述口吻、对心理描写的规避等策略以达到叙述的“无我”境界。
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| 关 键 词： | 《红楼梦》 春秋笔法 含蓄暗示 客观展示 |
Implicit Narration and Objective Narration in The Red Chamber Dreams |
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| CHEN Cai-xun.Implicit Narration and Objective Narration in The Red Chamber Dreams[J].Journal of Sichuan Teachers College (Philosophy & Social Science),2008(4):6-10. |
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| Authors: | CHEN Cai-xun |
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| Institution: | CHEN Cai-xun ( 1.School of Chinese Language and Literature,Heilongjiang University,Haerbin 150080, China ;2. School of Chinese Language and Literature ,Beijing Normal University,Beijing 100875, China ) |
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| Abstract: | The narrative art of The Red Chamber Dreams by Cao Xueqin included two ways： the objective narration and the implicit narration. It was the succinct and implicit skill in the historical book of CHUNQIU that influenced The Red Chamber Dreams by Cao Xueqin. The objective narration in The Red Chamber Dreams by Cao Xueqin was embodied in many ways, for example, the author parted himself from the narration intentionally, used the restrictive angle and objective narrative tone and avaided the psychological deccription so as to reach the state of selflessness. |
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| Keywords: | The Red Chamber Dreams the implicit narrative skill objective narration implicit narration |
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