| 天梯山北凉壁画艺术特点 |
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| 引用本文： | 刘塨.天梯山北凉壁画艺术特点[J].宜宾学院学报,2010,10(4):35-37. |
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| 作者姓名： | 刘塨 |
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| 作者单位： | 宁夏大学,美术学院,银川,750021 |
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| 摘 要： | 北凉属于天梯山壁画艺术初创时期，由于佛教初传我国，佛教壁画基本保持其原貌，笨拙欲坠的飞天、虔诚胡跪的供养菩萨都是古印度人的形象。色彩的凹凸晕染法、线描的健陀罗样式均体现出印度佛教壁画的样式，深受儒学浸染和中国绘画传统影响的凉州画家，有意无意地在佛画中体现出他们的人文理念和绘画精神。
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| 关 键 词： | 北凉 线条 敷色 线条 心理特征 |
The Artistic Features of Tianti Mountain's Mural in Northern Liang Period |
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| Authors: | LIU Gong |
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| Institution: | LIU Gong (School of Fine Arts,Ningxia University,Yinchuan 750021,China) |
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| Abstract: | Northern Liang is the initial period of painting mural of Tianti mountain.For the short time of Buddhism's introduction into China,the Buddhist painting maintained its original appearance,including clumsy falling apsaras and the Indian-imaged pious kneeling Bodhisattvas.Influenced by the Confucianism and Chinese traditional painting,the mode of Indian Buddhism mural,such as the concave-convex sfumato of color and the Gandhara style drew by line,both reflect painters' humanism and their painting spirit consc... |
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| Keywords: | northern Liang period line apply colors psychological feature |
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