| 东汉草书艺术的演变及其精神内质 |
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| 引用本文： | 徐华.东汉草书艺术的演变及其精神内质[J].华侨大学学报(哲学社会科学版),2002(4):109-116. |
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| 作者姓名： | 徐华 |
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| 作者单位： | 华侨大学,中文系,福建,泉州,362011 |
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| 摘 要： | 西汉末至东汉中后期，草书体确立，并由为交流而书写的实用工具升华为一种以审美为最高目标的艺术。这一由实用到审美的演变，不仅标志着中国艺术的观念由非自觉到自觉的飞跃，而且蕴涵了东汉士人精神世界中个体生命意识的自觉和艺术精神的萌生。这一变化，与东汉时期社会思潮的兴替变迁密切相关。
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| 关 键 词： | 东汉 草书 群体意识 个体意识 艺术精神 |
| 文章编号： | 1006-1398(2002)04-0109-08 |
| 修稿时间： | 2002年5月29日 |
Evolution and Spiritual Essence of the Art of Cursive Hand during Eastern Han |
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| XU Hua.Evolution and Spiritual Essence of the Art of Cursive Hand during Eastern Han[J].Journal of Huaqiao University(Humanities & Social Science),2002(4):109-116. |
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| Authors: | XU Hua |
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| Abstract: | The style of cursive hand had been established since the end of Western Han to the middle and latter period of Eastern Han;and it raised from a practial tool of writing for exchange to an art with aesthetics as highest objective.This evolution from practical to beauty appreciation not only marked a leap of the sense of Chinese art from unconscious to conscious but also contained the consciouseness of individual life awareness in the spiritual world of scholars of Eastern Han and the burgeoning of artistic spirit.This change closely related to the rise and fall and the changes of ideological trend in the society during Eastern Han. |
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| Keywords: | Eastern Han Cursive hand group consciousness individual consciousness artistic spiril |
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