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“书画同源”与中国画的“书写性”
引用本文:范瑞芳.“书画同源”与中国画的“书写性”[J].集宁师专学报,2010,32(2):61-63.
作者姓名:范瑞芳
作者单位:集宁师范学院美术系,内蒙古乌兰察布012000
摘    要:"书画同源"是中国传统艺术中的一个重要命题,它包含两方面的含义:一是指中国文字与绘画在起源上有相通之处;二是指书法与绘画在表现形式方面,尤其是在笔墨运用上具有共同的规律性。中国画特别是其中的写意画是充分运用书法艺术的笔墨要求来塑造形象和表达意境的,"书写性"的用笔是写意画的基本绘画语言,离开了书法的用笔,就很难言中国画了。

关 键 词:书画同源  写意画  书写性  现代性

"Homologous Culture of Calligraphy and Painting" and Chinese Painting's "Calligraphic Written Patterns"
FAN Rui-fang."Homologous Culture of Calligraphy and Painting" and Chinese Painting's "Calligraphic Written Patterns"[J].Journal of Jining Teachers College,2010,32(2):61-63.
Authors:FAN Rui-fang
Institution:FAN Rui-fang(Arts Department of Jining Teachers College,Inner Mongolia Wulanchabu 012000)
Abstract:Homologous culture of calligraphy and painting is vital issue in Chinese traditional art.There are two classes of contents:firstly,Chinese character and painting have the similarities origin;secondly,the expression form in both calligraphy and painting,especially the use of the ink that has a common law.For Chinese painting,particularly in freehand brushwork painting,the full use of calligraphy ink is indispensable to create images and express artistic conception."Calligraphic written patterns"is the basic painting language of freehand drawing,so it is hardly perfect Chinese painting without the technique of calligraphy.
Keywords:homologous culture of calligraphy and painting  freehand brushwork painting  calligraphic written patterns  modernity
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