| 从《声无哀乐论》看嵇康的音乐美学思想 |
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| 引用本文： | 蔡莉.从《声无哀乐论》看嵇康的音乐美学思想[J].鸡西大学学报,2009,9(4):151-152. |
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| 作者姓名： | 蔡莉 |
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| 作者单位： | 广东省东莞南博职业技术学院艺术系,广东,东莞,523083 |
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| 摘 要： | 嵇康是中国古代音乐关学史上的一位划时代的人物，他的《声无哀乐论》是我国古代史上，除《乐记》外，一篇思想自成体系的音乐美学专著，在当今中国音乐美学研究领域中有着十分重要而深远的意义。
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| 关 键 词： | 嵇康 声无哀乐论 音乐美学 |
On Music is Irrelevant to Grief or Joy-Analysis of Ji Kang' Music Aesthetics |
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| Cai Li.On Music is Irrelevant to Grief or Joy-Analysis of Ji Kang' Music Aesthetics[J].JOurnal of Jixi University:comprehensive Edition,2009,9(4):151-152. |
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| Authors: | Cai Li |
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| Abstract: | Ji Kang is a well-known music critic lived during Wei and Jin Dynasties.His Music is Irrelevant to Grief or Joy is a monograph of music aesthetics in the ancient history of China.The arguments of JiKang has significant impact on the study of the music aesthetics.It has a very important and far-reaching significance in the research field of the contemporary Chinese music Aesthetics. |
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| Keywords: | Ji Kang Music is Irrelevant to Grief or Joy music aesthetics |
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