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文化审美与意义超越--论美学的当代形态及其意义
引用本文:段吉方.文化审美与意义超越--论美学的当代形态及其意义[J].南宁师范高等专科学校学报,2005,22(2):29-32.
作者姓名:段吉方
作者单位:段吉方(华南师范大学中文系,广东,广州,510631)
摘    要:本文认为在后现代主义文化崛起的过程中,文化审美作为当代审美表达机制的合理性与必然性日益突现.文化审美贯穿了现代审美意识的现实品格和人文品格,它的生成与表述能够使当代美学吸纳新的思想资源和文化资源,从而在整体视野的调整与转换中拓展自己的生存空间和发展空间,探索综合发展之途。

关 键 词:后现代主义  审美现代性  文化审美  审美超越
文章编号:1008-696X(2005)02-0029-04
修稿时间:2005年2月10日

Cultural Aesthetics and Meaning Transcendence --On the Contemporary Forms and Meanings of the Aesthetics
Duan Jifang.Cultural Aesthetics and Meaning Transcendence --On the Contemporary Forms and Meanings of the Aesthetics[J].Journal of Nanning Junior Teachers College,2005,22(2):29-32.
Authors:Duan Jifang
Abstract:Under the cultural context of postmodernism, with a further development of probing the contemporary aesthetic in its integrated way. cultural aesthetics occurs abruptly within its reasonable and necessary expressive mechanism. It goes through both the realistic and humane style of the modern aesthetic awareness. Its occurrence and expression arouse the contemporary aesthetic to absorb new sources of thoughts and cultures in result of spreading its existential and developing scope by adjusting and transference.
Keywords:postmodernism modernization of aesthetics cultural aesthetics aesthetic transcendence  
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