| 约翰·福尔斯的女性观发展——从《收藏家》到《法国中尉的女人》 |
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| 引用本文： | 孔蓓蓓,KONG Bei-bei.约翰·福尔斯的女性观发展——从《收藏家》到《法国中尉的女人》[J].四川教育学院学报,2011,27(6):71-74,82. |
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| 作者姓名： | 孔蓓蓓 KONG Bei-bei |
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| 作者单位： | 中国矿业大学外文学院,江苏徐州,221008 |
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| 基金项目： | 中国矿业大学外文学院科研项目 |
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| 摘 要： | 从处女作《收藏家》到抗鼎之作《法国中尉的女人》,福尔斯作品中女性的形象发生了巨大的变化。这两位女主人公的人物塑造变化真实地反映了福尔斯女性观的变化。从米兰达面对有形的地下室禁锢到萨拉面临无形的社会道德禁锢,米兰达是一位被男性虐待的受虐者而萨拉成为救赎男性的智慧女人,从米兰达香消玉殒到萨拉最终得到自由,福尔斯对女性自由和女性解放的理解变得更为彻底和深刻。福尔斯也深化了读者对女性自由的理解。
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| 关 键 词： | 女性主义 存在主义 约翰.福尔斯 《收藏家》 《法国中尉的女人》 |
The Development of John Fowles's Attitudes on Women: Based on The Collector and The French Lieutenant's Woman |
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| KONG Bei-bei.The Development of John Fowles's Attitudes on Women: Based on The Collector and The French Lieutenant's Woman[J].Journal of Sichuan College of Education,2011,27(6):71-74,82. |
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| Authors: | KONG Bei-bei |
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| Institution: | KONG Bei-bei(School of Foreign Studies,China University of Mining and Technology,Xuzhou Jiangsu 221008,China) |
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| Abstract: | From John Fowles＇s virgin novel The Collector to his masterpiece The French Lieutenant＇s Woman,the female images in the two novels,Miranda and Sarah,change greatly,which reflects his attitude shift towards women.From Miranda＇s imprison in a tangible basement to Sarah＇s being imprisoned by intangible social hypocritical morality,from Miranda being a victim of male domination to Sarah＇s being salvation of male,from Miranda＇s final death to Sarah＇s consequent gaining freedom,Fowles＇s comprehension of female freedom and female liberation has become more profound and thorough. |
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| Keywords: | feminism existentialism John Fowles The Collector The French Lieutenant＇s Woman |
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