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当代家庭伦理剧的叙事经验与审美空间
引用本文:吴圣刚.当代家庭伦理剧的叙事经验与审美空间[J].信阳师范学院学报(哲学社会科学版),2008,28(1):135-138.
作者姓名:吴圣刚
作者单位:信阳师范学院,文学院,河南,信阳,464000
摘    要:20世纪末至21世纪初,中国电视剧领域推出的一批家庭伦理剧相继在国家和地方电视台播出,具有代表性的如《渴望》、《咱爸咱妈》、《婆婆》、《大哥》、《大姐》、《嫂子》、《老娘泪》等。为什么这些电视剧能够赢得大众的共鸣,甚至赚得许多人的眼泪,原因在于它们共同运用了中国传统文学的叙事经验,其中,民族文化中超稳定文化在发挥作用。

关 键 词:家庭伦理剧  超稳定文化  叙事经验  审美空闻
文章编号:1003-0964(2008)01-0135-04
修稿时间:2007年10月28

Narrative Experience and Aesthetic Space in Contemporary Family Moral Plays
Wu Sheng-gang.Narrative Experience and Aesthetic Space in Contemporary Family Moral Plays[J].Journal of Xinyang Teachers College(Philosophy and Social Sciences Edition),2008,28(1):135-138.
Authors:Wu Sheng-gang
Institution:Wu Sheng-gang ( School of Literature, Xinyang Normal University, Xinyang 464000, China)
Abstract:From the end of last century to the early years of this century, some family moral TV plays are produced and are broadcast in the national and local TV stations in succession, such as: "The Desire for Love", "Our Parents", " Mother-in-law", "Elder Brother", "Elder Sister", "Sister-in-law", "Old Mother's Tears", etc. why can these dramas strike a public sympathetic chord, and even make ninny audiences tear? It is because of their common use of the narrative experience in the traditional Chinese literature. Meanwhile, super-stable culture in the national culture also plays a role.
Keywords:family moral play  super-stable culture  narrative experience  aesthetic space
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