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《小城之春》的古典主义倾向
引用本文:黄育锋.《小城之春》的古典主义倾向[J].湖南大众传媒职业技术学院学报,2002,2(2):40-44.
作者姓名:黄育锋
作者单位:北京师范大学,艺术系,北京市,100024
摘    要:费穆的《小城之春》站在中国民族文化及其传统的一边,吸纳了现代电影的种种观念与技法,吸收了其他影片特别是戏曲片的长处,以其舒缓的节奏、富于变换的长镜头和空间表现,直接传达出大量叙事难以表达的思想信息,形成奇特、复杂、含蓄的表演特点。诗文艺传统在电影中的复苏与再现,使电影艺术达到中国古典美学中诗的境界。它具有中国电影的民族性特征,是费穆电影艺术水平的高峰。

关 键 词:费穆  小城之春  古典主义
文章编号:1671-5454(2002)02-0040-05
修稿时间:2002年2月18日

The Classical Tendency of The Spring of the Town
HUANG Yu-Feng Institute of Art,Beijing Normal University,Beijing.The Classical Tendency of The Spring of the Town[J].Hunan Mass Media Vocational Technical College(Mass Media),2002,2(2):40-44.
Authors:HUANG Yu-Feng Institute of Art  Beijing Normal University  Beijing
Institution:HUANG Yu-Feng Institute of Art,Beijing Normal University,Beijing,100024
Abstract:The movie titled The Spring of the Town, which is directed by Fei Mu, holding its national culture posi-tion, employs all kinds of ideas and techniques of modern movies and absorbs the merits of opera movies. Through usingthe methods, the movie conveys much information, which can hardly be expressed by narrating. Consequently, the movieshows a kind of classical poetic taste. The movie, which possesses the national characteristics of Chinese movies, standsfor the peak of the development of Fei Mu's movies.
Keywords:Fei Mu  The Spring of the Town  Classicalism
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