| 浅论吴冠中“中西融合”的绘画艺术观 |
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| 引用本文： | 程远,王仲皓.浅论吴冠中“中西融合”的绘画艺术观[J].延安教育学院学报,2009,23(1):70-72. |
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| 作者姓名： | 程远 王仲皓 |
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| 作者单位： | 1. 洛阳理工学院,艺术设计系,河南,洛阳,471023
2. 洛阳市图书馆,河南,洛阳,471000 |
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| 摘 要： | 吴冠中先生认为：绘画艺术属社会科学，体现的是文化，不同的社会文化背景产生不同的绘画艺术风格。因此，发展绘画艺术不能模仿或照搬，中国画的中西结合应立足于中华民族的传统文化，并与西方的艺术思维进行互补，才能真正达到本质上的结合。而不是形式上的结合。
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| 关 键 词： | 传统与创新 中西结合 写意 写实 |
An Analysis on Wu Guanzhong's Sense of Painting Art in Combining the East and West |
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| Cheng Yuan,Wang Zhong-hao.An Analysis on Wu Guanzhong's Sense of Painting Art in Combining the East and West[J].Journal of Yanan College of Education,2009,23(1):70-72. |
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| Authors: | Cheng Yuan Wang Zhong-hao |
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| Institution: | 1.Art Deparmaent LuoYang Science and Engineering College, Luo Yang He Nan 471023; 2.LuoYang Library, Luo Yang He Nan 471000) |
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| Abstract: | In the field of painting, the major problem for Chinese painters to face is how we should integrate Chinese traditional painting and modem west oil painting organically. In Mr Wu＇s opinion, painting art belongs to social science, displays culture because different social cultural background produces different painting art styles. Therefore, developing our painting art is not allowed to just imitate and copy. And also the combination in Chinese paintings should base on Chinese traditional culture and have mutual complementary with west art thinking. Only so, the nature of combing is instead of the combination in form. |
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| Keywords: | tradition and innovation Combination of Chinese and English freehand realism |
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