北宋中期骚体赋风的演变

北宋中期，在经世致用思潮的影响下，文人们建功立业的热情高温，屈骚忧国忧民、反抗现实的传统披发扬光大，骚体创作勃然而兴。蔡裹、王令诸人通过骚体来发愤抒情，激励名节，追求雄衰横放的奇峭美。随着竞争的加剧，文人们投时进取、兼济天下的热情渐趋消褪，走上了理性反省的道路。欧阳修的骚体创作对于骚体赋风的转变起到了导夫先路的作用。郭祥正的骚体表现仕与隐的矛盾，雄衰与隽逸并存，王安石等人的骚体寓忧愤于淡泊之境，具有明显的玉变特征。文同的骚体表现出表里澄激的空灵境界。

Stylistic approach to Lisao and fu in the middle of the North Song Dynasty

In the middle of the North Song Dynasty the writers and poets have a strong desire to contribute to the kingdom, which is the advocacy of Qu Yuan's mixture feeling of great sympathy for the nation and his rebellion of reality. This speaks for the ambition of the poets such as Cai Xiang, Wang Ling and others so that they are all devoted to the heroic writing in the style of Lisao . However, as the internal conflicts become clear, the writers sober up, their zenith severely hindered. They turn more rational, with Ouyang Xiu, Guo Xiangzheng, and Wang Anshi pioneering the change of feeling in the new style of Lisao and fu .