首页 | 本学科首页   官方微博 | 高级检索  
     检索      

论旦本戏正旦的喜剧性与杂剧喜剧手法的发展
引用本文:邹蓉.论旦本戏正旦的喜剧性与杂剧喜剧手法的发展[J].鸡西大学学报,2011,11(6):93-95.
作者姓名:邹蓉
作者单位:广西师范大学文学院,广西·桂林,541006
摘    要:考察《古今杂剧》、臧懋循的《元曲选》中旦本戏中正旦的喜剧性,认为正旦的科诨的难设置,促使戏剧家运用情节喜剧与性格喜剧来营造正旦的喜剧性,这两种喜剧手法能取得比科诨更长时、更浑融无间、更丰富的喜剧效果,显示出杂剧喜剧手法的进一步发展。

关 键 词:旦本戏  正旦  杂剧  喜剧手法

On Comedy of Leading Feminine Role and the Development of Comic Techniques in opera with a feminie role as a principal character
Zou Rong.On Comedy of Leading Feminine Role and the Development of Comic Techniques in opera with a feminie role as a principal character[J].JOurnal of Jixi University:comprehensive Edition,2011,11(6):93-95.
Authors:Zou Rong
Abstract:This paper studied the comedy of feminine leading role in the opera with a feminie role as a lead character from Poetic Drama at All Times.It finds that the buffoonery of leading feminine role is difficult to establish which impels the play writer to use comic plot and comic characteristic to present the comedy of an opera.This two comic technique can keep the comic effect for longer and indicates the development of comic technique in Zaju.
Keywords:opera with a feminie role as a principal character  one of the feminine opera role  poetic drama  comic technique  
本文献已被 CNKI 维普 万方数据 等数据库收录!
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号