| 钱钟书《围城》的创作与其文艺观之比较 |
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| 引用本文： | 胡方红.钱钟书《围城》的创作与其文艺观之比较[J].哈尔滨学院学报,2009,30(12):47-49. |
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| 作者姓名： | 胡方红 |
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| 作者单位： | 淮安信息职业技术学院,基础部,江苏,淮安,223003 |
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| 摘 要： | 钱钟书《围城》的创作与其文艺观有诸多相似之处,可以相互印证其价值观和美学理想,其学术和创作可谓殊途同归。《围城》是《管锥编》、《谈艺录》等学术著作中所体现的文艺观在创作领域的反映,为鸟之两翼,可以相互佐证;《围城》体现了其主张的＂以俗为雅,以故为新＂的写作风格;《围城》中的婚姻观与钱钟书对于写景的＂若即而离＂,其价值观和美学理想是一致的。
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| 关 键 词： | 钱钟书 《围城》 文艺观 比较 |
Qian Zhongshu's Creation of Fortress Besieged His View on Arts |
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| HU Fang-hong.Qian Zhongshu's Creation of Fortress Besieged His View on Arts[J].Journal of Harbin University,2009,30(12):47-49. |
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| Authors: | HU Fang-hong |
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| Institution: | HU Fang-hong (Huaian Vocational College of Information and Technology,HuMan 223003 ,China) |
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| Abstract: | Qian Zhongshu＇ s Fortress Besieged reflects his artistic philosophy, which is the example of his view of value and aesthetics. From Fortress Besieged, we can see his artistic philosophy in Limited Views：Essays on Ideas and Letters and On Ancient Literature. Fortress Besieged reflects his idea on writing style ＂vulgar as elegance;old as new＂ ,and the marriage view in the story accords with his value and aesthetic ideal. |
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| Keywords: | Qian Zhongshu Fortress Besieged artistic philosophy comparison |
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