| 云冈石窟文化中“人的觉醒”的审美体现 |
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| 引用本文： | 徐建国.云冈石窟文化中“人的觉醒”的审美体现[J].大同职业技术学院学报,2008(1). |
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| 作者姓名： | 徐建国 |
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| 作者单位： | 山西大同大学文史学院 山西大同037009 |
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| 摘 要： | 魏晋南北朝在中国历史上是一个重大变化时期,社会变迁在意识形态和文化心理上的表现就是占统治地位的两汉经学的崩溃,那些无用的谶纬宿命论和神学目的论受到摒弃,在这种背景下,"人的觉醒"成为一个新的理念。云冈石窟作为这个时期突出的艺术成就,就不可避免地带有"人的觉醒"这个划时代的印迹。
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| 关 键 词： | 魏晋南北朝 “人的觉醒” 云冈石窟 |
The Aesthetics of the YunGang Grottoes' Human Enlightenment |
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| XU Jian-guo.The Aesthetics of the YunGang Grottoes' Human Enlightenment[J].Journal of Datong Vocational College,2008(1). |
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| Authors: | XU Jian-guo |
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| Abstract: | The Dynasities of Wei, Jin, Southern and Northern in Chinese history saw much significant social changes, which were manifested ideologically and psychologically by the collapse of the authoritative philology of Han Dynasities and the dismiss of the divinatory fatalism and the teleological theology. Under such circumstances, a new notion of human enlightenment was brought forth. YunGang Grottoes, with its outstanding artistic accomplishment of the time, inevitably embodies this landmark of human enlightenment. |
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| Keywords: | The Dynasities of Wei Jin Southern and Northern human enlightenment YunGang Grottoes |
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