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干戚舞渊源考
引用本文:段丽梅,解会娟.干戚舞渊源考[J].山西师大体育学院学报,2009,24(3):55-59.
作者姓名:段丽梅  解会娟
作者单位:1. 运城学院河东文化研究中心
2. 运城学院体育系,山西,运城,044000
基金项目:山西省人文科学重点研究课题河东文化研究省级课题子课题,运城学院院级课题 
摘    要:通过对文献资料、出土实物的研究考证,指出:“干戚之舞”源远流长,“干、戚”均由实用兵器衍化,“戚”除与?干”同有神权象征外,还有王权、军权的象征意义。干戚之舞滥觞于黄帝红山文化时代的黄河中下游河东(今运城)一带。干戚之舞初为傩舞,是一种具有宗教性质的图腾舞蹈,祈祷天下太平。原生态干戚舞具有“娱神、娱人”的娱乐特征、功利和实用性突显的巫术特征、“缘物寄情”的原生态准艺术美学特征、代表部落族团意识的集体特征。

关 键 词:干戚舞  渊源  考证

Research on GanQi Dances Origin
DUAN Li-mei,XIE Hui-juan.Research on GanQi Dances Origin[J].Journal of Physical Education Institute of Shanxi Teachers University,2009,24(3):55-59.
Authors:DUAN Li-mei  XIE Hui-juan
Institution:(The Research Center of Hedong Culture, Physical Education of Yuncheng University, Yuncheng, Shanxi 044000, China)
Abstract:GanQi dance has a long history by researching of documents, unearthed in kind, folklore and science weapon. GanQi dance derived from the real weapons. Qi is not only the same symbol of God, s power as Gan, but also the symbol of royalty and military power. GanQi dance originated from the Hong Shan Culture of the times of Emperor Yellowand at the middle and lower reaches of Yellow River: Yuncheng. At the beginning, the GanQi dance is one kind of Nuo dance. It is a totem dance of religious nature. It means everything is well. The original characters of the GanQi dance are "entertainment" of men and God, highlight utilitarian and practicality of witchcraft, quasi: art aesthetic of the original ecological collectivity.
Keywords:GanQi dance  origin  research
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