当代文学中的非常态视角叙事研究——以《尘埃落定》、《秦腔》、《我的丁一之旅》为个案

世纪之交,当代文坛颇具影响力的三位作家不谋而合地选择了非常态视角叙事,阿来《尘埃落定》中的傻子少爷,贾平凹《秦腔》中的疯子引生,史铁生《我的丁一之旅》中的行魂,这一叙事视角的选取既是对源自鲁迅《狂人日记》中“狂人”传统的承续,也是对西方、拉美等文学现代表现技巧的借鉴,更是新的历史条件下叙述面临困境时的创新努力。这种努力的当代意义就在于:它既是对新时期以来小说形式探索的深化,也显示出从内容探索向形式探索转移的某种内在需求及其对二者关系的重新审视。

The Contemporary Meanings of the Un-normal Perspective Narrate In Writing

At the crossing of the 21th century,the three famous authors in the contemporary literature field all selected the un-normal perspective narrate,the block-head young master in the A-lai's novel of "the dust falling to the ground",the madman in Jia-pingwa's novel of "Shanxi opera",the moving soul in the Shi-tiesheng's novel of "the journey of my dingyi", selecting the perspective inherited Luxun's tradition in "the diary of the madman",it is a reference from the west and Latin America's modern expression skill,it is making great efforts when they face the dilemma under the new situation.The contemporary meanings is: it is a deep-going to the novel form exploring of the new particular period,showing the internal requirement of the change from the content exploring to the form exploring,and the afresh inspection about their relationship.