| 气韵理论视野下的敦煌壁画探微 |
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| 引用本文： | 刘玉敏.气韵理论视野下的敦煌壁画探微[J].蒙自师范高等专科学校学报,2010,8(3):107-109. |
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| 作者姓名： | 刘玉敏 |
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| 作者单位： | 兰州大学文学院,甘肃兰州730020 |
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| 摘 要： | "气韵生动"是我国传统绘画的最高审美追求,这种审美追求自然会带到敦煌壁画的创作中。敦煌壁画的艺术风格具有传神技巧的丰富性,"中国化"的韵致体认,动态感的境界渲染和"天人合一"的精神旨归等特点。
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| 关 键 词： | 气韵 传神 中国化 动态感 天人合一 |
On Exploration of Dunhuang Frescoes under Charm Theory |
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| LIU Yu-min.On Exploration of Dunhuang Frescoes under Charm Theory[J].Journal of Mengzi Teachers' College,2010,8(3):107-109. |
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| Authors: | LIU Yu-min |
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| Institution: | LIU Yu-min(School of literature,Lanzhou University,Lanzhou 730020,China) |
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| Abstract: | ＂Vivid charm＂ is a traditional Chinese painting,which is the highest aesthetic pursuit and is thus naturally used in the creation of dunhuang frescoes.From the perspective of,artistic style and spiritual orientation,the research of dunhuang frescoes will be a more meaningful try. |
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| Keywords: | vivid charm vivid portraits chinization the sense of moving harmony between the heaven and human |
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