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中国文化结构与艺术精神境界
引用本文:王岳川.中国文化结构与艺术精神境界[J].内江师范学院学报,2011,26(11):1-9.
作者姓名:王岳川
作者单位:北京大学中文系,北京,100871
摘    要:人类进入21世纪,后现代文化及艺术风靡一时。它们消解价值,丧失价值判断,被称作“胡来艺术”。中国文化与艺术如何在与西方文化艺术的碰撞中逐步摆脱边缘化危机,重新摆正自己的位置,重新迎来新的辉煌,成为每个年轻的学者、艺术家必须严肃思考的问题。中国文化“三纲八目”的和谐之境,“修齐治平”的担当精神以及水、节、中、庸、孝、和等概念、范畴所代表的中国文化的美丽精神不应该被当作历史垃圾而抛弃。相反,包括中国书法艺术在内的优秀的中国传统文化艺术应该得到继承弘扬,因为她们蕴含着中华民族的民族指纹、民族精神。

关 键 词:后现代艺术  中国文化  中国艺术  艺术精神

On Cultural Structure of China and the Artistic Spiritual Outlook
WANG Yue-chuan.On Cultural Structure of China and the Artistic Spiritual Outlook[J].Journal of Neijiang Teachers College,2011,26(11):1-9.
Authors:WANG Yue-chuan
Institution:WANG Yue-chuan(Chinese Department,Beijing University,Beijing,100871,China)
Abstract:In the 21st century, the post-modern literature and art have witnessed their prevalence. They clear value and lose their value judgment and have been called mess art. How can Chinese culture and art gradually step out of marginalized crisis, put them in a proper position and hence meet their own splendor? This must be seriously thought over by all young scholars and artists. The harmony out of traditional rules, the responsibility for managing important affairs and the good spirits implied in concepts like meanness and filial piety should not be given up as garbage. On the contrary, the excellent traditional Chinese art, including Chinese calligraphy, should be greatly inherited and hence developed due to the national identity and spirits implied in it.
Keywords:post-modern art  Chinese culture  Chinese art  artistic spirit  
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