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客家民俗艺术符号的生成环境研究
引用本文:黄志华,秦楠. 客家民俗艺术符号的生成环境研究[J]. 怀化师专学报, 2013, 0(8): 85-87
作者姓名:黄志华  秦楠
作者单位:赣南师范学院美术学院,江西赣州341000
基金项目:2011年江西省艺术科学规划项目“符号人类学视野下的赣闽粤边区客家民俗艺术研究”,项目编号:YG2011051
摘    要:从符号学的观点看,客家民俗艺术符号是在民俗事象活动中对图形、文字及色彩艺术符号的应用和传承。是一种充满了情感和生命的意象,它的背后积淀了劳动群众的全部情感和对生命的体验。客家民俗艺术符号既然积淀了勤劳的客家人的全部感情和对生命的体验,其生成就必然会有其自身的条件。文章从自然环境和社会环境两个方面对客家民俗艺术符号的生成环境进行探究。

关 键 词:民俗  艺术符号  生成环境

On the Generating Environment of Hakka Folk Art Symbols
HUANG Zhi-hua,QIN Nan. On the Generating Environment of Hakka Folk Art Symbols[J]. Journal of Huaihua Teachers College, 2013, 0(8): 85-87
Authors:HUANG Zhi-hua  QIN Nan
Affiliation:(School of Fine Arts,Gannan Normal University,Ganzhou,Jiangxi 314000)
Abstract:From the semiotic point of view,the hakka folk art symbols are in the activities of the folklores of graphics,text and color application and inheriting of art symbols,which are full of emotion and the image of life,and behind it accumulates all the emotions of working people and of life experience.Hakka folk art symbols indicate all the feelings and experience of life of Hakka and its formation is bound to have its own condition.This paper explores the production of hakka folk art symbols from two aspects of natural environment and social environment.
Keywords:folk  art symbols  generating environment
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