| 论"知音"--从《文心雕龙·知音》看刘勰文学鉴赏理论 |
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| 引用本文： | 胡红梅.论"知音"--从《文心雕龙·知音》看刘勰文学鉴赏理论[J].湘潭师范学院学报(社会科学版),2004,26(1):91-94. |
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| 作者姓名： | 胡红梅 |
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| 作者单位： | 湖南科技大学,人文学院,湖南,湘潭,411201 |
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| 摘 要： | <文心雕龙·知音>首开我国文学鉴赏理论研究之先河.刘勰从审美主客体、文学鉴赏与文学创作的关系上,指出了"知音难"的原因,提出了读者在文学鉴赏中作为接受主体的必备条件,对我们今天文学鉴赏、文学批评理论的建设有着重要的借鉴意义.
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| 关 键 词： | 《文心雕龙》 知音 接受主体 博观 不偏 |
| 文章编号： | 1009-4482(2004)01-0091-04 |
| 修稿时间： | 2003年10月20 |
Review of Confidant: Considering Liu Xie's Artistic Literary Criticism in his "Wen Xin Diao Long .Confidant" |
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| HU Hong-mei.Review of Confidant: Considering Liu Xie's Artistic Literary Criticism in his "Wen Xin Diao Long .Confidant"[J].Journal of Xiangtan Normal University(Social Science Edition),2004,26(1):91-94. |
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| Authors: | HU Hong-mei |
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| Abstract: | Artistic Literary Criticism starts the research of the theory of literary appreciation. From the relationship between aesthetic subject and object, and that between literary appreciation and literary creation, Liu Xie points out the idea that it is hard to find a confidant and discusses the causes that have brought this problem. He further puts forward the essential requirement of a reader as the aesthetic subject in the course of literary appreciation, which is of referential significance to the literary appreciation and literary criticism today. |
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| Keywords: | Artistic Literary Criticism confidant aesthetic subject extensive reading impartial |
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