| 试论武术套路的意识 |
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| 引用本文： | 张君贤,林毅钢,丁海峰.试论武术套路的意识[J].四川体育科学,2011(1):16-19. |
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| 作者姓名： | 张君贤 林毅钢 丁海峰 |
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| 作者单位： | 苏州大学体育学院,江苏,苏州,215021 |
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| 摘 要： | 武术套路的意识是指武术演练者特有的运用外在肢体形态和内在心理活动、精神等的综合表现来反映动作攻防含义的高级表现形式。本文对套路动作中情境、攻防、审美等方面的特点进行分析后认为,通过对某种特定情境的编排和想象,武术演练者将这种意识体现在对手、情境、审美、声效等方面,并从中表达演练者的内心活动和动作的含义与精神。
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| 关 键 词： | 武术套路 意识 情境 审美 |
Awareness of Wushu |
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| ZHANG Jun-xian,LIN Yi-gang,DING Hai-feng.Awareness of Wushu[J].Sichuan Sports Science,2011(1):16-19. |
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| Authors: | ZHANG Jun-xian LIN Yi-gang DING Hai-feng |
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| Institution: | ZHANG Jun-xian,LIN Yi-gang,DING Hai-feng P.E.College of Suzhou University,Jiangsu Suzhou,215021,China |
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| Abstract: | The Martial Arts is the awareness of the use of exercise-specific external body shape and the mental activity,spirit and overall performance to reflect the meaning of the senior offensive and defensive action forms.This article in the context of routine action,offense and defense,aesthetic and other aspects of the characteristics of analysis that a particular situation through the presentation and imagination,martial arts exercise will be reflected in the opponents of this consciousness,context aesthetics,s... |
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| Keywords: | Martial Arts Awareness Situation Aesthetic |
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