赵树理:现代文学与人民文学的中间物

20世纪四五十年代赵树理曾被用以命名其所置身的文艺时代和文艺方向。本文从赵树理的文学特质和内在分歧入手,试图重新发现其创作如何支持了四五十年代文学的自我想象,又如何被这种时代文艺的整体想象遮蔽了赵树理文艺内在的复杂性与矛盾性。

Zhao Shuli: A Middle Figure Between Modern Literature and the People's Literature

During the 1940s and 1950s,Zhao Shuli was lauded the literary figure representing China’s literary orientation of his time.Parsing the literary qualities of Zhao Shuli’s writings and the inner discrepancies therein,the paper is an attempt to discover how Zhao’s writing contributed to the imagination of the self of the 1940s and 1950s and how the totalistic literary imaginations of the time clouded the inner complexities and contradictions of his literary works.