《生死场》、《呼兰河传》与萧红的创作观

萧红是鲁迅的学生，深得鲁迅的教诲，继承鲁迅的遗志，在批判国民性上独具特色，好说过：“现在或过去，作家的创作永远对着人类的愚昧！”，她这样说也是这样实践的。这不仅表现在《呼兰河传》这部作品中，其实早在他俐《生死场》时也遵循这一原则，虽然人们把它看成是“抗战文学”的奠基作之一，但它的主体仍然是“对着人类的愚昧”，表现的是十年如一日的“生死场”。从《生死场》的人物，情节看，它与《呼兰河传》在反映封建制度统治下造成的农民的苦难与愚昧，在揭露，鞭鞑和改造国民性这一主题上是相当一致的。

On"The Life - and - doath place", "TheBiography of the Hulan River"and the Attitude of Xiao Hong about eompsing

Xiao Hong was one of Luxun' s students,and got edificatory education from him .She had featured in animal and nationality.She said:"Now and last,the composing of writers towards the blindness of human."She did as she said.It was Just not shown in The Biography of Hulan River,in fact,when she composed The Life -and -Death Place,also followed the fundamental principle.Although it was considered ono of the literature corneropuing of anti -Japanese war works.its cone was still towards the blindness of human.In the book of the Life -and -death place,ten years goes as a day,From th e characters and plot of"the Life -and -death place".it the mirror fendalityis a overnance made the hard ship and blindness of peasants an un coror.flagellate and reconst met na-tionality.