| 论《文心雕龙·定势》篇的"势" |
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| 引用本文： | 庞光华.论《文心雕龙·定势》篇的"势"[J].五邑大学学报(社会科学版),2007,9(4):59-62. |
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| 作者姓名： | 庞光华 |
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| 作者单位： | 五邑大学,中国语言文学系,广东,江门,529020 |
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| 摘 要： | 《文心雕龙》是我国文学理论史上最重要的名著之一,关于其中《定势》篇中势的理论内涵,学术界有不同的理解。《文心雕龙·定势》篇中"势"的理论有着广泛而长久的文化史基础,只有通过考察《文心雕龙》与书法艺术理论的联系,才能准确把握"势"的含义。
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| 关 键 词： | 《文心雕龙》 "势" 笔势 书法 |
| 文章编号： | 1009-1513(2007)04-0059-04 |
| 修稿时间： | 2007年8月30日 |
On the Shi in Wen Xin Diao Long |
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| PANG Guang-hua.On the Shi in Wen Xin Diao Long[J].Journal of Wuyi University(Social Sciences Edition),2007,9(4):59-62. |
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| Authors: | PANG Guang-hua |
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| Abstract: | Wen Xin Diao Long(The Literary Mind and the Carving of Dragons)is one of the most important and prestigious works of literary critique in the history of Chinese literary theories.Regarding the theoretical connotation of shi in the chap- ter cling shi,the intellectual world varies in understanding.The theory for shi in the chapter of ding shi in Wen Xin Diao Long has wide and time-honored cultural and historical foundation.Only by examining the relationship between Wen Xin Diao Long and the artistic theories of Chinese calligraphy can we accurately grasp the connotation of shi. |
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| Keywords: | Wen Xin Diao Long(The Literary Mind and the Carving of Dragons) shi(momentum) the momentum of a stroke calligraphy |
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