| 音乐人类学中符号学的理据分析 |
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| 引用本文： | 熊晓辉.音乐人类学中符号学的理据分析[J].柳州师专学报,2010,25(2):1-4,8. |
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| 作者姓名： | 熊晓辉 |
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| 作者单位： | 吉首大学,师范学院,湖南,吉首,416000 |
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| 基金项目： | 教育部人文社会科学2008年规划基金项目“音乐人类学的理论与实践”(08JA850003)的前期成果 |
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| 摘 要： | 在人类文化进化过程中，音乐被看成了文化符号的体系，在这样的体系中，各种形式被赋予比喻义，形成一种极为复杂的符号意义。音乐文化符号被作为符号学意义上的符号来理解和研究，它除了自身就是一种可被感知的形式外，还可在符号使用者的思想中表达其他的东西。从符号学角度去阐释音乐文化，无疑是音乐学及音乐人类学理论研究方法上的重大突破。
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| 关 键 词： | 音乐人类学 符号学 象征意义 理据分析 |
On Motivation Analysis of Semiotics in Musicology |
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| XIONG Xiao-hui.On Motivation Analysis of Semiotics in Musicology[J].Journal of Liuzhou Teachers College,2010,25(2):1-4,8. |
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| Authors: | XIONG Xiao-hui |
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| Institution: | Normal College/a>;Jishou University/a>;Jishou/a>;Hunan 416000/a>;China |
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| Abstract: | In the evolution course of human culture,music is considered to be a system of culture symbol.In this system,every form of symbols that endowed with analogical meaning,forms a very complicated symbol meaning.The culture symbols of music understood and researched as symbol of semiotics,can be felt itself but express something else as the symbol users like.It is a great breakthrough in studying the music and the theory of musicology by explaining music culture from the angle of semiotics. |
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| Keywords: | musicology semiotics emblem meaning motivation analysis |
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