The development of cultural indicators for Australia – policy-making in a federal system of government

The publication in 2010 of Vital signs: Cultural indicators for Australia was the culmination of a complex national policy development process, which exemplifies some of the challenges of making cultural policy in a federal system of government. This paper examines the policy imperatives which gave rise to the original proposal to develop a set of national indicators, the context which led to support for the proposal, the process of policy development which ensued, and some of the key issues which emerged, and which are relevant for future work. The paper was written from the perspective of a bureaucrat closely involved in the project: the author was, between 2006 and 2011, head of the Queensland state government arts agency, and chair of the Statistics Working Group, the multi-agency body which managed the cultural indicators project on behalf of the participating governments.     

Social support and cultural distance: Sojourners’ experience in China

Previous research has pinpointed that social support from host, co-national, and other international friends plays a pivotal role in successful adaptation to a new culture, yet research on this topic pertaining to China is inadequate. As such, using a cross-sectional sample of sojourners (N = 199) in major Chinese cities, the current study examines the relationship between sojourners’ self-reports of social support from the three sources and two psychological adaptation variables (i.e., anxiety and well-being) as well as the moderating effect of objective cultural distance. Regression analysis indicates that perceptions of host and international support are significant negative predictors of anxiety and positive predictors of psychological well-being. In addition, cultural distance moderated these predictive associations: host support and international support had a stronger negative association with anxiety and host support had a stronger positive association with well-being for participants whose cultural distance to China was lower compared to those whose cultural distance was higher. This study enhances our understanding of the dynamic interplay between social support and cultural distance in cross-cultural adaptation research within a Chinese cultural context.     

“Defensive instrumentalism” and the legacy of New Labour's cultural policies

The paper identifies “defensive instrumentalism” as a main feature that has characterised New Labour's cultural policies, and which constitutes an important aspect of its legacy. Yet, resorting to instrumental arguments to defend the arts and to make a case for their usefulness is hardly an invention of New Labour. However, in the past, such defensive arguments were built into a more constructive and creative attempt to elaborate a coherent theory of art and an intellectually sophisticated view of the effects of the arts on individual and societies. What the paper argues, then, is that instrumentalism under New Labour has retained its longstanding defensive character, but was deprived of the attendant effort to elaborate a positive notion of cultural value.     

Made in China: the cultural logic of OEMs and the manufacture of low‐cost technology

Abstract

This paper investigates the conditions of the manufacture of low‐cost technology in China with the examples of ‘pirated’ VCD players, ‘no‐name’ DVD players, and Shenzhen’s development as a techno‐urban city. It emphasizes the significance of the cultural logic of original equipment manufacturers (OEMs) and argues that the various transformations and deflections that are derived from ubiquitous OEM experiences have gone beyond the original model of an authorized OEM, experiences that are to some extent embodied in the transgression of brand name and patent hegemonies, which are mainly controlled by high technology companies. OEMs have been associated with China’s current imperative and uninhibited development of low‐cost technology capitalism. ‘Made in China’ signifies the production of any product, legal or illegal, for transnational high technology giants or domestic technology manufacturers. Learning to ‘become an OEM’ in China has partly resulted in excessive technological mimesis that may be part of an unauthorized, underground economy that is based on low‐cost technology. Based on the Shenzhen experience, part of this study will show industrial production‐oriented OEM cultures in which illegal operations and counterfeit trade are incorporated, even in city projects that are shared by municipal governments and Chinese technological companies, and undergo spatial restructuring in the development of the economy, consumerism, and urbanism.     

The ‘truth politics’ of anti‐North Koreanism: the post‐ideological cultural representation of North Korea and the cultural criticisms of Korean nationalism

Abstract

This essay questions the ‘truth politics’ of anti‐North Koreanism in which a ‘genuine’ figuration of North Korea is presumed to be achievable at the popular level. I define the truth politics of anti‐North Koreanism as the political‐cultural discursive formation obscuring the ideological powerfulness of anti‐North Koreanism that hinges on ‘the normality of nationalism’. The truth politics reinscribes and reinforces the populist and functionalist belief in national unification that justifies developmentalist agendas for North Korea. As an alternative, I discuss the post‐colonial cultural criticism that calls into question the identity politics of popular nationalism, which implicitly performs along the lines of the Sunshine Policy guidelines to naturalize the normality of nationalism under economic developmentalism. The questionable formation of nationalism prevents South Koreans from gaining self‐reflexive access to the way in which heterogeneous tropes of the nation rupturing in the discursive practice of popular nationalism are exploited. But I also critically interrogate the analytical framework presumed within the criticism, because it constrains its own scope and abilities of questioning the truth politics of anti‐North Koreanism the criticism ostensibly targets.     

A cultural analysis of the rhetoric of François Mitterrand

The purpose of the study was to analyze President Mitterrand's political discours and allocutions (1952–1985) as cultural products in order to determine whether they reflect his world view, including his concepts of time, values, ways of organizing information, and argumentation process. The analysis shows that relational thinking, characteristic of the French culture, is reflected in his communication pattern or style and therefore his world view and rhetoric can be described as “French.”     

The coming crisis of cultural engagement? Measurement,methods, and the nuances of niche activities

ABSTRACT

Do ticketing data and national survey data on attendance tell the same story? This question is particularly important in the context of debates over the power of new forms of data to supplant the “traditional” survey methods that have underpinned our understanding of the social stratification of culture. This paper compares three data sources on attendance: the Active Lives Survey, the Taking Part Survey, and Audience Finder. We first compare self-reported attendance at events in each English local authority from the Active Lives survey with ticket sales data, finding a close relationship. We follow up by comparing the distributions of ticket buyers across the Indices of Multiple Deprivation with those from Taking Part, finding that for widely-ticketed and widely-attended art forms they track closely together, providing support for existing trends. Ticketing data does not seem to offer more information on social stratification than traditional social science sources. However, we extend the comparison through more detailed analysis of subcategories within less well-researched forms – literature and dance events – where numbers of attendees are lower, with accompanying uncertainty in survey sources. We find that the audiences for dance vary widely, with ballet attendance being heavily socially stratified but attendance at contemporary dance much more similar to the general population. However, we find that audiences for literature events are more heavily socially stratified than almost any other art form, almost regardless of the subcategory. The power of new datasets is in offering specificity about artforms, rather than overturning what we know about culture and inequality.     

Intercultural competence developmental processes of university and college students as three types of transition – A systematic review

This systematic review endeavors to answer the overarching question of how students’ intercultural competence (IC) develops as three types of transition: transition-as-induction (T1), transition-as-development (T2), and transition-as-becoming (T3). Prior studies put much emphasis on external influences and/or outcomes of IC development while neglecting its transition path. We argue that it is the developmental process of IC that manifests the dynamism and fluidity of student transition and can inform universities and colleges of tailored and effective strategies to nurture that. Based on 86 empirical studies published between 2010 and 2021, we analyze the process of students’ IC development based on the reasoning approach, research design, influential factor, and outcome. There are processes of IC dimension (ID) development (periodic induction), intercultural adaptation (IA) (linear development), and intercultural relationship (IR) development (ongoing becoming). They differ in terms of intrapersonal, person-environmental, or interpersonal perspective as well as more fixed or fluid depiction of students’ IC development. This review mainly addresses the research gap in existent IC literature through the trichotomy of transition and provides suggestions for future practices and policies regarding students’ IC development.     

When in Rome… A longitudinal investigation of the predictors and the development of student sojourners’ host cultural behavioral engagement

International educational mobility is an important instrument for immersing multicultural diversity into the thinking, feeling, and acting of young global citizens. Yet, little is known about the development of students’ host-cultural behavioral engagement during a stay abroad and the individual characteristics that predict it. We adapted the theory of planned behavior to investigate the dynamic longitudinal interplay between individual predictors and students’ host-cultural behavioral engagement over the course of the stay abroad. Data come from the first four waves of the project Mobility and acculturation experiences of students (MAPS; N = 1,225). Results confirmed the influence of acculturation attitudes, subjective norms, and multicultural self-efficacy on host-cultural behavioral engagement over time. Simultaneously, host-cultural behavioral engagement was identified as a relevant predictor of adolescents’ individual development abroad.     

Culture = politics: the emergence of new cultural forms of protest in the age of freeter

This paper examines new cultural and political movements that have developed outside of traditional leftist politics since the early 1990s in Japan. The new movements, including Dame‐ren, the Cardboard House Art movements in Shinjuku and recent anti‐war protests on the Iraqi war, were mainly led by young people, in particular, the freeter generation, who did not experience the leftist politics of the 1960s. These movements are different from traditional Marxist political ones and even from the new social movements in the 1960s and 1970s in the sense that they incorporate more cultural practices such as art, music, dance and performance into their political activities. The paper also explores the historical background against which the new movements were born and have developed since the end of the Bubble economy. It sees freeters, young part‐time workers, as emerging, new political actors that have appeared through the transition of a mode of production from Fordism to post‐Fordism. The transformation of society, economy and politics, known as ‘post‐modernization’ or recently as ‘globalization’, has asked us to re‐consider and re‐define the basic concepts such as class, proletariat, power, labour and work which we once shared. The paper tries to locate, through a critical examination, the new movements within a broader context of anti‐neo‐liberalism and anti‐globalization and find political potentiality within it.     

Social adjustment and dynamics of segregation in higher education – Scrutinising the role of open-mindedness and empathy

Earlier research has suggested that ethnic minority students have a significantly lower chance of attaining academic success compared to their peers without an ethnic minority background. Numerous research has also illustrated the importance of social capital for being academically successful. In two studies we examine the particular role of interethnic interactions in the social and academic adjustment of students in higher education. We use a Flemish university as a case study. Study 1 (N = 1549) uses mediation analysis, and Study 2 (N = 2479) replicates the first study using SEM (structural equation modelling). We first found that social adjustment is necessary for adjusting academically, and that it has a small, but positive effect on study success. While adjusting socially by interacting with students from other ethnic groups is of little benefit to native Flemish students, the opposite is true for students with a migration background. Furthermore, the more open-minded native students are, the less socially adjusted they tend to be, and they seem to benefit from a more close-minded stance than from open-mindedness in terms of adjusting to the social (and academic) context of a university.     

Munna Guru – portrait of a eunuch

Abstract

In this essay, Ho Tzu Nyen attempts to unearth a subterranean narrative that threads through three films produced by three male Singaporean directors – namely Mee Pok Man (1995) by Eric Khoo, 15 (2003) by Royston Tan, and Zombie Dogs (2004) by Toh Hai Leong. This narrative of unconsciously repeated motifs that migrate from film to film is in turn analyzed as a recurrent symptom that haunts a number of Singaporean cinematic productions from the 1990s onwards. This symptom, which can be summarily described as a paranoid relationship to ‘otherness’, makes manifest a variety of psychic tendencies such as morbid fear of impotence, misogyny, and fetishization of the social other. For Ho, such impulses are in turn intricately linked to what he, following the literary critic Harold Bloom, calls ‘The Anxiety of Influence’. For Bloom, every poet embarks upon his career after a prior encounter with another poet, or poem. As a result, the ‘late‐coming’ poet inevitably suffers from a sense of threatened autonomy, because his profoundest insights and deepest desires are always already elucidated by another. For the Singaporean filmmaker, Ho argues that this ‘anxiety’ in relation to the cinematic tradition takes on a peculiar nature and a doubled pressure, for the canon that inspires them is perceived as being something essentially foreign. Hence the Singaporean filmmaker makes cinema as though he is stuttering in a foreign tongue. Therefore, the concept of ‘the anxiety of influence’ is modulated and compounded with a ‘postcolonial anxiety’. In addition, Ho also draws upon the concepts of the philosopher Gilles Deleuze in an attempt to sketch out an ontology of cinema that at once functions in a deconstructive relationship to ‘auteur‐driven’ modes of analyses, while avoiding what he perceives as the overly ‘sociological’ bent that characterizes much of the existing corpus of writings on Singaporean cinema.     

Which intercultural competences for teachers,educators, and social workers? A literature review

Europe seems to be going through a historical period characterized by the fear of otherness, conceived as an attack on the positive values of liberal society. This fear manifests itself, according to several researchers, through neo-assimilationist tendencies in public policies in many European nations: an example of this trend can be considered the reintroduction of the language and knowledge requirements of the country for new immigrants as a prerequisite for obtaining permanent residence and citizenship.At the same time, in both academic and public debates, the tendency is spreading to affirm that it is necessary to overcome the multicultural approach in favour of a new paradigm capable of dealing with the complexities typical of the superdiversity that characterizes European nations: the interculturalism. This trend is in contrast to the thinking of several researchers who believe that the theoretical principles and the practical aims, which are at the basis of multiculturalism and interculturalism are complementary to each other. Multiculturalism tends to focus more on the level of public discourse and political debate while interculturalism is aimed more at more meso and micro-level. It is believed that teachers, social workers and educators play a fundamental role in making the members of the majority of a State more open to comparison and exchange with subjects coming from other historical and geographical contexts. The purpose of this review is to identify the intercultural competencies that these professionals should have to counter the fear and closure towards diversity, which is constantly increasing in European societies.     

Beyond the residents–businesses clash – urban movements and cultural struggles in Shida,Taipei (2007–2015)

Between the mid-2000s and the early 2010s, the neighborhoods around National Taiwan Normal University (NTNU), an area widely known as Shida, unexpectedly became a tourist hotspot due to the rapidly expanding night market there. Dissatisfied residents mobilized, and for several years they engaged in intense legal and discursive clashes with area businesses, the Taipei City government, and other groups in the community. Drawing on long-term observation, ethnographic research, and in-depth interviews, this article explains Shida’s spatial change from the perspectives of urban movements and cultural struggles. Specifically, it describes how three groups in Shida became organized around divergent purposes, values, and imaginations of the community. Deploying different cultural resources – ranging from civic culture, subcultural ethics to community building – the groups further enter into complex negotiation with the spheres of politics and economics. Ultimately, there was no consensus reached in the Shida case, and though many lament the passing of the area’s unique culture and many of its businesses, the dynamics between the small-scale mobilizations in Shida generated invaluable critical local wisdoms that acknowledge the desire for multiple communities in a physical locality.     

Nagy Lin： a Cultural Ambassador Linking China and the Rest of the World

<正>Nagy Lin is an active figure in the diplomatic circle of Beijing. She is currently the president of the Silk Road of Europe magazine and the editor-in-chief and publisher of the multi-lingual magazine The World China.     

Sitting on the dock of the bay: 1 partial views of change – Singapore,Tokyo and Hong Kong

Abstract

Cities embody the political projects of elites; the spaces that are made frame the lives of their inhabitants; it is within these spaces that ordinary people make their lives. Cities seem dense, resistant and hard but they are always in flux; their transience marks their elites’ responses to the shifting demands/opportunities of changing circumstances; change has its benefits and its costs; these are not borne equally; all these matters can be accessed in many ways, here the route is though the accumulation of ethnographic detail; partial recollection; cities illuminated through the small scale; it is the way in which we all grasp the cities in which we live.