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"After completing the Chinese calligraphy course, I have fallen love with this unique art. I have learned not only skills to use brushes, but also oriental philosophy and culture. Chinese calligraphy has made me understand better differences and similarities between eastern and western arts. Chinese calligraphy - its brushwork and structure, individual and whole, dry and wet, big and small, fast and slow, positive and negative, all are filled with philosophic mystery and human wisdom and show movement of human life, which can never be experienced in western fine arts. Chinese calligraphy has opened a door for me. Learning it will make me benefit in my whole life."  相似文献   

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<正>The Chinese Culture Festival is an annual event initiated in 1999 and organized by local Chinese communities, aimed at showcasing brilliant Chinese culture t...  相似文献   

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The current study examined national culture differences between US American and Chinese participants (N?=?317) regarding face need concerns and apology intention, based on positive and negative face needs (Brown & Levinson, 1987 Brown, P and Levinson, SC. 1987. Politeness: Some universals in language usages, Cambridge, , UK: Cambridge University Press. [Crossref] [Google Scholar]) and concerns for self-face and other-face (Ting-Toomey, 2005 Ting-Toomey, S. 2005. “The matrix of face: An updated face-negotiation theory”. In Theorizing about intercultural communication, Edited by: Gudykunst, WB. 7192. Thousand Oaks, CA: Sage.  [Google Scholar]). Participants read vignettes that varied in relationship types (in-group vs. out-group members) and situation types (negative face vs. positive face threatening) and responded to scales measuring realism of the vignettes, intention to apologize, and five types of face need concerns. The findings showed that Chinese participants, compared to US Americans, had stronger intentions to apologize when their acts threatened the other person's positive face, while US American participants, compared to Chinese, had stronger intentions to apologize when their acts threatened the other's negative face. Other findings and implications thereof are discussed.  相似文献   

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凌夫 《寻根》2008,(6):108-110
1939年,全民抗战已进入第三个年头。这年6月,作家老舍代表中华全国文艺界抗敌协会,参加全国慰劳总会北路慰劳代表团,慰劳与日寇作战的军民。代表团从重庆出发,先到西安,再到洛阳。由洛阳、南阳到襄樊、老河口,而后出武关折回西安。由西安奔兰州,由兰州到榆林、青海、绥远、宁夏、兴集,同年12月返回重庆。一共走了5个多月,行程两万多里,一路险情万端。老舍在陕州,差一点被日本的飞机炸死;在兴集,  相似文献   

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In this article the authors consider NAME's focus on intersectionality as a tool for theorizing, researching, and employing in pre-K through college practice at preservice and inservice levels. A review of research using three or more identity axes to investigate student outcomes is included. The authors also discuss the benefits of analyzing educational questions intersectionally, noting cautions.  相似文献   

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This article is written by a Native female author. It delves into the historical stereotypes of Native females as drudges, princesses, and prostitutes perpetrated by media, movies, and literature. The author reviews research on the traditional and modern roles of Native females, including roles as warriors, leaders, and healers. Current literature and research on Critical Indigenous Feminist Theory is reviewed.  相似文献   

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Every theater fan can name one or two theaters.But when it comes to theaters for imperial use,you cannot miss those built by Qing emperors in the Forbidden City.Small or large,elaborated or simple,they all reflect royal style.Many cultural relics in the Palace Museum are related to opera,such as  相似文献   

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淮茗 《寻根》2011,(2):70-74
从初春到深冬,不知不觉中在新罗王国的故都庆州生活了整整一年,这对来自六朝古都南京的笔者来说,真是一份难得的人生机缘,它让笔者细细领略了两座古都历经千年风霜所形成的风华和魅力。  相似文献   

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