刍议袁枚的诗才论

袁枚是性灵理论的集大成者.其"性灵说"的内涵包括诗人的真情论、个性论和诗才论.文章主要从三个方面分析其诗才论:笔性灵与笔性笨,天籁与人巧,学古与创新.     

诗情贵真，诗艺贵巧——袁枚的“性灵说”探析

袁枚的性灵说,继承前人的观点,有一定传承性,重要的还是针对当时诗坛流弊,在批判格调、肌理和评论神韵三派诗说的基础上建立起来的,在清代四派诗论中有突出地位和影响,创造了同期诗学理论的最高成就,性灵包括性情与灵机两个方面,要求表现诗人真实而有个性特点的情感,充分发挥诗人的才能,灵巧机敏地创作出独具风格、生动感人的艺术作品。     

诗的“衬托”种种

衬托在诗歌中大致表现为以下六种情形。 一、相互映衬。请看郭小川的《青纱帐--甘蔗林》中的四句: 北方的青纱帐啊,你为什么至今还 令人神往？     

浅析《香菱学诗》中的“笑”

《香菱学诗》时,脑子里突然蹦出这样一个问题:香菱命运不幸,三岁那年元宵,在看社火花灯时被骗子拐走,十二三岁时,被薛蟠强买为妾,改名香菱,后来备受夏金桂的折磨,不仅名字被改为秋菱,还险遭谋害,最后     

给诗“整容”

唐代有个叫魏扶的人当了主考官。刚上任时，他在试院的墙上题诗一首，表明自己要当个正派考官。诗曰：“梧桐叶落满庭阴，缫闭朱门试院深。曾是昔日辛苦地，不将今日负前心。”后来，人们发现魏扶的实际行为并不像诗中说的那样，而是谁行贿，     

“诗教”

毛泽东回忆自己的求学生涯时曾说：“我在湖南第一师范求学时，最敬佩的两位老师，一位是杨怀中先生，一位是徐老。”这位毛主席所敬佩的“徐老”，便是我国无产阶级革命家，人民教育家徐特立。徐特立在担任湖南第一女师校长时，以“诗教”闻名。他经常用粉笔在黑板上题诗，对学生进行耐心细致的思想教育。每晚九点，熄灯铃响过之后，他总要手提马灯，和女训育员一起放轻脚步，巡视学生宿舍。有一次他发现有学生熄灯后还大声聊天，第二天早晨，他在黑板上题诗一首：脚尖踏地缓缓行，深恐眠人受我惊；为何同学不相惜，不出嘻声即足声？那些昨…     

刘禹锡及其“长安”诗

在中唐诗人刘禹锡坎坷的一生中,长安一直扮演着重要的角色,是诗人心中一个不变的情结。长安因此也成为了诗人诗歌创作中一个不可或缺的因素。在刘禹锡的诗歌中,表现有关长安的诗篇占其全部诗作的43％,而且这样的作品贯穿诗人一生的各个阶段。本文以刘禹锡与长安有关的诗歌为研究对象,通过其诗歌中的“长安”描写,进而探究这些因素对诗人诗歌作品内容、情感和诗人心态的影响,从而论证长安这一特殊地域与刘禹锡诗歌创作的密切关系。     

“诗国”辨

中国有“诗国”的美称,这不仅是因为诗歌多．更是国为整个的生活、传统、精神、意识等都是诗歌式的,这可以在经济、哲学、审美意识、文学理论、文学创作等方面找到其原因。     

咏雪“歪”诗

唐代的南阳有个穷秀才叫张打油，喜欢写诗作，特别喜欢把民间的一些俗谚俚语、诙谐之句写入诗中。有一年冬天，张打油起早到井上打水，见雪花纷纷下个不停，天地一片洁白。他触景生情，诗兴大发，随口吟出一首《雪》诗：“江上一笼统，井上大窟窿。黄狗身上白，白狗身上肿。”     

论王勃诗中的“春”“花”“月”

诗歌通过意象构成意境,不同诗人喜欢采用的意象有各自的差异,对诗歌意象的理解与把握,使我们可以从微观诗学的角度更清晰、更准确地认识诗人诗歌的全貌。这对研究他们诗歌的风格、诗风的形成都大有裨益。本文统计了王勃诗歌中的意象,对其采用最多的意象的意义系统进行分析。     

Cooperative learning in English writing teaching

Writing plays an important role in our daily communication among the four basic language skills.However,in China,both the teacher and students do not attach much weight to English writing in school education.Many problems exit in the current teaching of English writing.Cooperative learning is a creative and effective teaching theory based on interaction among group members.This essay mainly explores the possibility of combining cooperative learning and English writing teaching together.     

杜甫对同时代诗人的评价与学习

杜甫对同时代诗人的评价与学习，内容广泛，内涵丰富，充分体现了他善于鉴别，善于吸收和收益多师的学习态度，从中也可见出他不同时期的艺术追求，与其《戏为六绝句》等合看，可以更全面地了解杜甫的诗学思想与创作态度。     

合作学习在高职英语写作教学中的应用研究

合作学习,是一种以小组合作为基本形式,为了达到共同的目标而互助合作,从而达到提高小组整体学习效果的教学方法体系,合作学习应用于英语教学已成为公认的行之有效的教学策略和理论。鉴于高职英语写作教学的特殊情况,选取一个班在大学英语教学的写作课上进行合作学习的实验,写作能力的提高效果明显。     

Using technology for enhancing reflective writing,metacognition and learning

There exists broad agreement on the value of reflective practice for personal and professional development. However, many students in higher education (HE) struggle with the concept of reflection, so they do not engage well with the process, and its full value is seldom realised. An online resource was developed to facilitate and structure the recording, storage and retrieval of reflections with the focus on facilitating reflective writing, developing metacognitive awareness and, ultimately, enhancing learning. Ten undergraduate students completed a semi-structured questionnaire prior to participating in a focus group designed to elicit a common understanding of reflective practice. They maintained reflective practice online for 6 weeks and participated in post-study individual interviews. Findings provide evidence for the positive acceptance, efficiency and effectiveness of the intervention. Using a structured approach to online reflective practice is empowering and ultimately enhances undergraduate learning through the development of metacognition.     

少教多学和生本教育

生本教育就是真正以学生为主人的,为学生好学而设计的教育。生本教育的具体方法是:先做后学,先学后教,少教多学,以学定教,进而不教而教。     

康有为师法西学的教育观

康有为把教育视为拯救民族危亡的前提和途径,通过亲身实践、改革旧式教育体制、废科举、倡新学、普及国民教育和设立奖励机制来提高国民素质、发展科技,实现国家独立富强。尽管他师法西学的实践有成功也有失败,但他无疑是中国近代史上最出色的教育家之一。另外,由他发起的戊戌维新思潮为新化运动和“五四”运动奠定了思想基础。     

Implementing interactive courseware into EFL business writing: computational assessment and learning satisfaction

The implementation of interactive courseware within a task-based learning (TBL) approach was conducted for English Writing for Business to Chinese students in an applied foreign languages department housed in a university of technology. The development of the interactive courseware is based on Mayer’s multimedia learning theory, which allows learners to construct verbal and visual cognitive representations and integrate them; its language learning focus is keyed to Chapelle’s suggested criteria for development of multimedia CALL (computer assisted language learning). According to the curriculum, students had to accomplish three tasks rooted in the real world workplace: inquiry, negotiation, and complaint. Evaluation of the interactive ESP courseware into TBL instruction was based upon data from students’ pre- and post-writing performance measured by three different types of online computational assessments. In addition, a questionnaire survey about learning satisfaction was administered. The results indicate that students had significantly better post-writing performance and showed greater satisfaction after self-studying with the courseware-implemented instruction, which effectively integrated content knowledge, integrative English skills and writing practices embedded in the courseware. This instruction could be a potentially useful for teaching business writing by providing both content knowledge and its related integrative language practice.     

Teaching poetry: writing poetry — teaching as a writer

This paper considers the ways in which the authentic strategies and struggles of the creative writer in formulating a text, can be translated into classroom activity. It explores four activities which derived from my own practice as a writer, and demonstrates the process of adapting, trialling and evaluating them in a range of different classroom settings. The paper attempts to answer the questions: w ere these ‘real‐life’ processes successful as a basis for learning activities? How did the learners respond and what can we learn from heir responses? The paper concludes with the premise that being congruent with one's own ‘real‐life’ strategies can indeed lead to valid learning activities, and that these activities help us to deconstruct many of the myths about what it means to be creative.     

Powerful students,powerful words: writing and learning in a poetry workshop

A poetry workshop can present opportunities to integrate students' knowledge and perspectives in classroom contexts, encouraging the use of language for expression, communication, learning and even empowerment. This paper describes how adolescent students respond to a poetry workshop in an English classroom centred on teaching writing that is based on their knowledge from their various life experiences and understanding of events beyond the classroom. Informed by New Literacy Studies and third space theories, ethnographic methods of participant observation were used to document an eighth‐grade urban public school classroom where a community member implemented a weekly programme using music lyrics and poetry for an entire school year. Findings illustrate how the poetry workshop encouraged students to contribute to the classroom learning context and engage critically with ideas that were relevant to their lives. Collaborating with a community member and tapping in to the powerful ways of using language to communicate led to important learning opportunities for students in this classroom. Poetic devices such as rhyme, rhythm, metaphor and wordplay enhanced and supported students' own language practices; students used these sophisticated writing strategies as they worked to convey their ideas, experiences and opinions.     

Effects of feedback on collaborative writing in an online learning environment

The need for supporting student writing has received much attention in writing research. One specific type of support is feedback—including peer feedback—on the writing process. Despite the wealth of literature on both feedback and academic writing, there is little empirical evidence on what type of feedback best promotes writing in online environments. This article reports on research that tries to determine what type of feedback best improves the quality of collaborative writing and what the effects of feedback are on student learning in an environment based on asynchronous written communication. The results reveal that concerning the type of feedback, epistemic feedback or epistemic and suggestive feedback best improve the quality of collaborative writing performance. The nature of the feedback-giver (whether teacher feedback or teacher and peer) makes a difference to the final text only when the feedback is epistemic, or epistemic and suggestive.