共查询到20条相似文献,搜索用时 15 毫秒
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Anna Anzani Luiga Binda Alberto Carpinteri Stefano Invernizzi Guiseppe Lacidogna 《Journal of Cultural Heritage》2010,11(4):387-470
In the paper some case studies of damaged towers in Italy are presented: the Tower Masserano of Palace Ferrero - La Marmora at Biella, the bell tower of the Collegiata of San Vittore at Arcisate, and three medieval towers in Alba. A methodology is put forward for combining laboratory and nondestructive testing methods with monitoring systems in order to reach the goal of evaluating the state of conservation of historic towers and its evolution in time. 相似文献
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The design approaches of new exterior additions to historic buildings have been among the ongoing debates in the field of architectural conservation. The aim of this study is to develop an assessment method, which can be used to determine the compatibility in architectural expression of the new addition in relation to the characteristics of a historic building. This method is based on the architectural analysis, which includes environmental relations, building-lot relations, mass relations and the facade composition of the historic building both before and after the new addition in relation to the value of a historical building. In this study, a selected group of historic buildings in ?zmir, Turkey with new exterior additions was analysed with regard to their exterior architectural characteristics in order to evaluate the compatibility of the new addition, by employing the use of contemporary conservation principles. The importance of this study is to guide architects to form the basis of a decision for developing an integrated approach in designing new additions in the course of the actual design process. On the other hand, the proposed method can be evaluated as a contribution to the emerging field of heritage impact assessments as well as scientific assistance to local governments to criticize specific projects of cultural heritage assets submitted for appraisal. Analysis results showed that the value of the historic building should first clearly be identified and a new addition should bear the identity of its own period. However, instead of altering the scale or form of the historic building, a new addition should complement and contribute to the sense of proportion, disposition and historical pattern. 相似文献
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Jose Herráez Jose Luis Denia Pablo Navarro Luis Bosch Ignacio Bosch 《Journal of Cultural Heritage》2013,14(3):248-253
Restoring the spans of a historic bridge requires installing tensors to ensure the structural and mechanical stability of the rows of stones that form the resistant body of the bridge. Once the positions where the structure-crossing tensors should be installed have been determined, the entry and exit points of each drill hole must be marked on both sides of the bridge. However, the exit point of each drill hole is not visible from the entry point, making it impossible to drill precisely. Here, we present a method based on a calibrated system that combines precision topography with laser technology. Using this method, drill holes longer than 12 m can be achieved with centimetric precision. 相似文献
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Farideh Fekrsanati Stefan Klein Jens Hildenhagen Klaus Dickmann Yiorgos Marakis Aleka Manousaki Vassilis Zafiropulos 《Journal of Cultural Heritage》2001,2(4):187
The application of lasers for the removal of superficial deposits from historic stained glass is a comparatively new field of scientific interest. Experimental studies concerning the behaviour of glass substrates and the corresponding superficial deposits towards different laser wavelengths were carried out. The experiments were performed using wavelengths of λ = 193 nm (ArF-Excimer), 308 nm (XeCl-Excimer), 355 nm (Nd:YAG third harmonic) and 1 064 nm (Nd:YAG fundamental) in comparison to λ = 248 nm (KrF-Excimer). This comparison is due to the fact that the present knowledge is based on the 248 nm wavelength. Specially prepared model glass samples representing the original fragments and samples of organic polymers (formerly used as a protective material for historic stained glasses) were used to study the effects of laser radiation and were subsequently characterised by optical microscopy. 相似文献
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Lucyna Samek Anna De Maeyer-Worobiec Zoya Spolnik Lszl Bencs Velichka Kontozova ukasz Bratasz Roman Kozowski Ren Van Grieken 《Journal of Cultural Heritage》2007,8(4):361-369
The impact of electric overhead radiant heaters on the microclimate, air flows, transport and deposition of suspended particulate matter (SPM) was monitored between March 2004 and March 2005 in the historic churches of Saint Michael Archangel in Szalowa and Saint Catherine in Cracow (Poland). The measurements show that although irradiation at the floor level increases temperature and reduces relative humidity in the interior of the church, the effect out of the heated zone and for the surfaces sheltered from irradiation is very limited, i.e. their extent is comparable with natural fluctuations inherent to the local climate of the church. The radiant heaters proved to generate little convectional flow of the air. Therefore, the heating system was not found to increase the concentration of SPM indoors; in particular, no re-suspension of particles already present in the church was observed. This work has demonstrated that the overhead radiant heaters are capable of providing localised heat to the areas where people congregate without adversely affecting painted walls and the works of arts displayed in churches. Care, however, should be taken that sensitive works of art are not exposed to the direct infrared radiation. 相似文献
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Calogero Guccio Domenico Lisi Marco Martorana Anna Mignosa 《Journal of Cultural Economics》2017,41(2):129-154
The relationship between culture and tourism has been widely investigated from different perspectives. A large strand of literature studies the role of cultural heritage to attract tourists, while a rich bulk of studies on cultural participation investigates the impact of tourism flows on the demand for culture. Another aspect worth investigating relates to the link between cultural participation and the performance of tourism destinations (TDs), as a higher cultural participation in an area could boost the performance in the management of tourism resources. However, so far, this issue has been disregarded in the literature, and this paper aims at filling this gap. Specifically, it studies the effect of cultural participation on TDs’ performance using a conditional efficiency approach that ensures robust inference on the role of environmental factors. We employ data on the Italian regions for the period 2004–2010, and we explore the role of cultural participation for tourism by using several indicators. Our findings offer empirical support to the positive role of cultural participation and, thus, suggest that public cultural policies might also boost the efficiency of the tourism sector. 相似文献
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Richard T. Melstrom 《Journal of Cultural Economics》2014,38(3):223-236
This paper presents individual demand models for three historic battlefield sites maintained by the US National Park Service. Preserved battlefields are valuable cultural resources that make up a significant portion of the US National Park system, but have received scant attention from economists. The demand for trips is modeled as a count data process. Visitor data for these battlefields were collected on-site, so the models account for truncation in the observed number of trips and endogenous stratification. The travel cost method, which is seeing increasing application in cultural heritage research, is used to estimate the use value of each battlefield. The results indicate an average individual willingness to pay for a battlefield trip ranging from about $8–$25, depending on the site. 相似文献
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Alberto Guarnieri Francesco Pirotti Antonio Vettore 《Journal of Cultural Heritage》2010,11(3):350-353
Cultural heritage sites and artefacts get a significant added value from high-resolution 3D models. These models are increasingly available due to improvements in technology and to higher integration of survey techniques such as laser scanning and photogrammetry. In this paper we present a case study on the development of a web-based application for user access and interactive exploration of three-dimensional models by providing integrated geometrical and non-geometrical information into an intuitive interface. The main feature of this interactive system is to provide the user with a completely new visit experience based on a free interactive exploration interface of the object (i.e., not constrained by any predefined pathway) and on the opportunity to get more detailed information on specific parts of interest. A parallel aim achieved was to use, in data processing and in the architecture, open source tools and free software, thus providing full transparency on adopted methodology and data processing methods, and a cost effective solution both for server and client. Furthermore, the aspect of data size has been considered using a segmentation and simplification scheme and server-side data management to keep transmission size to a minimum, thus improving access speed. 相似文献
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Gianna Giachi Chiara Capretti Nicola Macchioni Benedetto Pizzo Ines Dorina Donato 《Journal of Cultural Heritage》2010,11(1):91-101
The aim of the work is to set up a methodological approach to verify the effectiveness of the treatments of decayed waterlogged archaeological wood and to point out the proper thermo-hygrometric conditions for its preservation after treatment. The treatments were performed on wood samples of maritime pine (Pinus pinaster Aiton), oak (Quercus sp. caducifolia), elm (Ulmus cf. minor) and strawberry tree (Arbutus unedo L.), obtained from stems pertaining to the original vegetation found in the excavation site of the Ancient Ships in Pisa (Italy), and dated from seventh century BC to second century AD The utilised products were: Polyethylene Glycols (PEG) of various molecular weights, a Polypropylene Glycol (PPG 425), Trehalose (α-D-glucopyranosyl-α-D-glucopyranoside), and their mixtures, and also a Hydroxypropylcellulose (Klucel). The main objective to be pursued by the treatments was considered the stabilisation of the original size and shape of samples. The various steps of this approach were: the execution of a preliminary diagnostic survey on untreated samples; the characterisation of treatment solutions ‘as such’ to establish the property to be monitored during the treatment; the evaluation of the main physical characteristics of wood after the treatment were determined. Among the latter, the coefficient of dimensional stability during the exposure to a series of selected thermo-hygrometric conditions and the retention of consolidants after the treatment. These two measurements allowed the definition of the ‘efficacy of a treatment’, φT, a new parameter firstly utilised in this work. It measures the stabilisation capability of the percent unit of retained product, and its value permits to put in evidence the consolidants that stabilise wood with the lowest amount of product. Conversely, it was not possible to measure the Anti-Shrink Efficiency (ASE), one of the most utilised parameters for the evaluation of treatments, because of the serious distortions and fractures observed in all the heavily degraded untreated samples. 相似文献
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During the past two decades, thanks to the rapid development of solid-state-based sensor technology, digital imaging emerged as one of the most attractive research areas for the noninvasive investigation of paintings and flat artworks. In particular, the commercial availability of high-performance digital cameras opened up new perspectives to transmitted imaging techniques, such as trans-illumination and trans-irradiation, which are based on the acquisition of the visible (Vis) and near infrared (NIR) radiation, respectively, transmitted through the object. Until recently, these techniques were indeed considered to be unsuitable for applications on artefacts, because of the risks of overheating and overexposure to the light of the object under analysis. Nowadays, with the new-generation digital cameras, transmitted imaging can be reconsidered as a possible tool for noninvasive diagnostics on paintings on canvas. These techniques have been proven to be effective for the examination of hidden details, such as underlying drawing, for a study of the pictorial style or the executive techniques, as well as for assessing the state of conservation of the supports. Both trans-illumination and trans-irradiation can be easily implemented by means of professional photographic digital cameras, and therefore offer a valuable alternative to the more expensive well-established methodologies, such as X-ray radiography. In some cases, they are found to be complementary to the conventional techniques in revealing details of the underlying paint layers. Potentials and limits of transmitted imaging techniques are discussed in this paper, starting from three case studies of oil-paintings on canvas that belong to the permanent collection of the Gallery of modern art at the Pitti Palace in Florence. 相似文献
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论宋代绘画发达的原因 总被引:1,自引:0,他引:1
宋代绘画之发达与这一朝代进入近世有根本的关系。文人由科举而参政,士大夫弘道、重德的时代性格,使人文精神贯注于文艺创作,文人画的兴盛成为绘画进入文学化的近代期之标志。随着画院制的建立和完善,传统的宫廷绘画得到了体制的保证,达到了创作的兴盛,提高到新的水平。农业、手工业和商业、城市的发展,使绘画有了新的需求,创作趋向商品化、平民化、通俗化。画工画与文人画、画院画一起,形成总体性的雅俗结合态势,使宋代绘画达到鼎盛。 相似文献