虚拟更新:数字媒介艺术在历史文化空间改造中的应用研究

数字媒介艺术嵌入历史文化实体空间,成为历史文化空间的一部分,能够延伸人们对历史文化空间的场所体验.不同于真实的物质建造,数字媒介艺术可以在不改变已有物理空间的前提下,为参与者提供易于理解的文化信息和复合的感官体验.这一特定类型的数字介入不仅为历史文化空间的更新提供新的设计策略,而且进一步将原有的历史文化空间转变成为一种...     

An analytical investigation of the painting technique of Italian Renaissance master Lorenzo Lotto

This paper presents the first extensive investigation of the composition of both the organic and inorganic media used by Lorenzo Lotto, one of the outstanding artists of the Italian Renaissance in the early 16th century. By investigating four paintings from The State Hermitage Museum collection (Saint-Petersburg, Russia), new insights into the artist's painting techniques were obtained, which contribute to our understanding of the transition from egg tempera to oil painting techniques that took place in Italian paintings between the 15th to the mid 16th century. Inorganic materials were determined using SEM-EDX and PLM, revealing information on the artist's palette. Of particular note was the powdered colourless glass found in the priming layer of the Madonna delle Grazie, which was most likely used as dryer. Organic materials were analysed in individual paint layers using GC-MS, and revealed a mature use of drying oils as paint binders, skilfully mixed with other organic materials and inorganic driers, to obtain the desired aesthetical and technical qualities of the paint. The study revealed that Lotto used the tempera grassa technique through most of his creative life.     

20th century artists’ oil paints: The case of the Olii by Lucio Fontana

During the 20th century, many innovative binders have been rapidly introduced to the art world and soon became popular as artists’ paints and pictorial media. However, despite the advantages that new synthetic materials presented, oil paints have never been entirely substituted. Indeed, this paper focuses on the results provided by the scientific analysis of a group works from the oeuvre of Lucio Fontana (1899–1968), all of which created between 1960 and 1964 using oil-based media, and aims to illustrate how oils contained in the pictorial media have influenced these works’ respective ageing and degradation processes. Despite the apparent coherence in the behaviour of many of Fontana's creations, some artworks revealed discrepancies in terms of the physical and mechanical behaviour of the pictorial films and in alterations resulting from degradation processes. Samples taken from case studies belonging to the Olii and Fine di Dio series were analysed using optical microscopy, X-Ray Fluorescence (XRF), Fourier-Transform Infrared Spectroscopy in attenuated total reflectance (FTIR-ATR) and Gas Chromatography-Mass Spectrometry (GC-MS) in order to study and identify the materials employed by the artist and the products of their degradation processes. These analyses gave unexpected but useful results (such as the presence of non-drying or slow-drying oils in the paint formulations) which not only provided us with new insight into the nature of the constituent materials, but also facilitated the elaboration of correct conservation measures and suitable restoration interventions.     

Noninvasive physicochemical characterization of two 19th century English ferrotypes

The present work was one of the first attempts to analyze the conservation status of two ferrotypes, ancient photographic plates realized on a support made of iron. The photographic material was constituted of collodion as binder for the photosensitive silver halides grains. The two ferrotypes studied belonged to a private collection of a family from Durham, UK, and were made at the end of the 19th century. The analytical techniques used for the morphological and physicochemical characterization were noninvasive. The surface morphology was studied by means of optical microscopy (OM) and environmental scanning electron microscopy (ESEM) coupled with an energy dispersive X-rays (EDX) system for the elemental analysis. These techniques, together with microreflectance Fourier transform infrared spectroscopy (μ-FTIR) and contact angle, allowed to obtain information on both the chemical – elemental – composition of the materials constituting the ferrotypes, and the conservation status of these photographic plates. The study showed that the physicochemical diagnostics allowed to characterize the two ferrotypes that, despite their similar age and provenance, showed different conservation status, surface properties, and elemental composition.     

Audio-visual production and shortcomings of distribution in organisation studies

This article considers the relation of audio-visual media to research in organisation studies, a scholarly market of the cultural economy. Guided theoretically by affect, audio-visual media place emphasis on mental and physical sensations that most organisation studies research, whether objective or subjective, tends to overlook or only imply. Too often, underlying disciplinary assumptions impose controls that are incompatible with the transmission of affect. Now, it is the case that those who have accumulated cultural capital within the field privilege conventions already found in the logic of the printed word. At issue is the implication that the culture of print effectually suppresses experimentation with audio-visual media as an alternative form of presentation. To illustrate the problem, I draw on first-hand experience of efforts to establish the research contribution of a short film.     

Trust the artist versus trust the tale: performance implications of talent and self-marketing in folk music

Based on a unique dataset of artists that are active in the German market for folk music—the third largest music genre in terms of popularity and sales—I study what factors determine the artists’ success. Following Rosen (Am Econ Rev 71(5):845–858, 1981), I test if differences in artistic performance have a direct effect on financial rewards as regards physical and digital record sales (“direct superstar effect”). Following Adler (Handbook on the economics of art and culture. Elsevier, Amsterdam, 1985), I also study sales effects of a media presence of artists (“classical superstar effect”). Controlling for various contingency factors (e.g., record labels’ support, artists’ socio-demographics), I deal with an economic issue of general interest: Does it pay more to develop your skills in your core business to perfection or to maintain the current level of skills and invest in self-marketing; and do these effects apply to all folk artists alike? Rather contrary to studies on pop and rock genres, I find that higher ability increases artists’ revenues disproportionately, but simultaneously, openly competing for the recognition of one’s talent holds substantial economic risk. I also observe a positive effect of various types of media presence on financial rewards. However, these income determinants have different impacts on sales in physical versus in digital markets, and their effects vary across the success distribution from low- to top-selling artists as well.     

Economics of music publishing: copyright and the market

The paper argues that the paradigmatic shift from the sale of printed music to exploiting and managing musical rights that took place in music publishing during the early years of the twentieth century was due to the changing market rather than to changes in copyright law. On the one hand, copyright law was ineffectual in controlling piracy throughout the nineteenth century, and on the other hand, performing rights were ignored by music publishers for over 70 years; these points suggest that copyright was not the main reason behind the success of the industry. Rather than leading entrepreneurially (the current view of dynamism in the creative industries), publishers ‘followed the money’ and adapted their business models only when new streams of income from new forms of exploitation through sound recording, broadcasting and film became available as a result of exogenous technical progress. Publishers were locked-in to sales revenue as their business model, though when switching to the new business model of rights management took place, the costs seem not to have been greatly significant. The paper takes an historical approach to the development of music publishing viewed through the lens of present-day issues. The research has resonance for the transition from sales to licensing digital works that is taking place in the creative industries today and puts into perspective the relative significance of market forces and copyright law in the process.     

Design as Power: Paul Virilio and the Governmentality of Design Expertise

Abstract

Using sources from popular media, and ethnographic data collected from a university‐based urban design studio, I challenge Paul Virilio’s assertion that the modern human condition is dominated by a process of emotional synchronisation based on fear (the result, according to Virilio, of a collusion of technology and speed), and offer the analogous idea that contemporary consumer capitalism works toward a synchronisation of desire, operating, at least in part, through the ideologies and machinations of the idea of design. To do this, I analyse designerly approaches to problem‐solving as potential disciplining forces, or technologies of governmentality, which help to create order by manufacturing certain subjectivities like consumer, community member, or sense‐of‐place – subjectivities that are amenable to neo‐liberal notions of civil society in consumer‐capitalism. Ultimately, I argue that Virilio’s ‘art criticism of technology’, but also common critiques thereof, both depoliticise aesthetic judgement and work together toward the obfuscation of power within the symbolic economy of neo‐liberal consumer capitalism.     

The effect of Nd:YAG laser radiation on medieval pigments

Very often traces of paint and pigment have been found on medieval sculpture. Presently, little is known about the effects of laser radiation on polychromy. It is important to protect and preserve these traces during any cleaning or restoration process. The absorption properties of polychrome materials are likely to be different from those of the underlying stone or substrate and as a result special care must be taken to avoid any damaging or discolouring phenomena associated with laser cleaning. Spectroscopic methods (XPS, AES, reflectance spectroscopy) together with optical microscopy, digital photography and X-ray diffraction analysis have been used in a series of experiments on simulated samples of common medieval pigments (vermilion, red and white lead and ochres in linseed oil) on limestone plates, in order to study the reaction of these materials to infrared laser radiation.     

‘We Have to Go Where the Money Is’—Dilemmas in the Role of Nutrition Scientists: An Interview Study

In Western societies scientists are increasingly expected to seek media exposure and cooperate with industry. Little attention has been given to the way such expectations affect the role of scientific experts in society. To investigate scientists’ own perspectives on these issues eight exploratory, in-depth interviews were conducted in Denmark with reputable nutrition scientists. Additionally, eight interviews were held with ‘key informants’ from the field of nutrition policy. It was found that nutrition scientists experience two dilemmas: first, between their aspiration to make a collective impact on public health and the powerful incentives of each to appear frequently in the media with new messages; second, between their need to cooperate with the food industry for financial reasons and their fear that this may compromise their independence and scientific integrity. It is argued that the dilemmas identified in this study should be dealt with openly by the relevant groups of scientists.     

Intimacy and Self-Abstraction: Radio as New Media in Aboriginal Australia

In the first decade of the twenty-first century, a number of Indigenous radio stations around Australia began to use digital programming and digital music libraries, at times pre-programming their broadcast signal days in advance through various forms of digital audio workstation (DAW). This shift initially caused both celebration and concern, and occasioned reflection by many producers on how radio ought to work and sound. For some producers the shift to digital pre-programming seemed a threat to the intimate address that Aboriginal radio entailed. On the other hand, some of these same producers began to re-imagine the audience to which such indigenous media might now aspire and to celebrate the sheer quantity of Aboriginal programming that a smaller number of producers could now produce. In challenging radio's naturalised ‘liveness’ for Aboriginal radio producers this oscillation suggests a distinct media ideology (Gershon 2010a), a sense of what radio media ought to accomplish, that draws together forms of intimate address and public abstraction. In my analysis I re-imagine John Durham Peters' heuristic dichotomy of dialogue and dissemination as a tension between intimacy and self-abstraction in order to suggest how radio as ‘new media’ continues to animate some longstanding dynamics of Aboriginal cultural production.     

Agencing femininity: digital Mrs. Consumer in intra-action

ABSTRACT

Social media is abound with women writing about consumption goods and practices associated with femininity and heterosexual nuclear family life, such as being married, dressing, cooking and home decoration. This article examines how the housewife ideal can be an attractive identity in the 2010s and, drawing on the post-humanist performativity by Karen Barad (2007), it maps the material-discursive agencies that enable the re-emergence of this figure. Building on in-depth interviews with women who refer to themselves as influencers and bloggers, and visual and textual analyses of their Instagram-accounts, including links to sponsors and comments from followers, the article analyzes how the tensions between these women's real lives and their cyber lives, become meaningful in this technological culture. The breaking of boundaries between human and non-human resulting from digital technology has re-configured the housewife role by transforming boundaries between intimate and commercial practices. By focusing on the three areas: Transforming the feminine body, Transforming Intimacy, and Entrepreneurial femininity the article shows how agency emerges from within transforming practices of body, intimacy and entrepreneurship, intra-acting within this new housewife phenomenon. In doing so it discusses the negotiations and space for agency these women thought that digital technologies provided for them.     

‘Then you are making riskless money’: a critical discourse analysis of credit default swap coverage in the financial trade press

Recently, scholars begun to urge an approach to the study of finance that interrogates the accepted wisdom of financial models and practices by examining the forces of power behind their development. Drawing from the field of cultural studies, Hardin and Rottinghaus (in their 2015 article, “Introducing a cultural approach to technology in financial markets”) advocate for a cultural studies of finance, which emphasizes the critical consideration of the co-constructive nature of financial technologies and cultures. This paper builds off that provocation using the concept of ‘rhetorical closure’ (as described by Pinch and Bijker in 2012) to explore how industry media aimed at derivatives developers, traders, and investment bankers worked to define the meanings of new financial technologies. Using critical discourse analysis, this study examines how credit default swaps (CDSs) were presented in the financial industry media in the years 1995–2007, and how this framing contributed to the politics of these artifacts. It finds that the financial industry media produced a discourse about CDSs using multiple overlapping frames that overgeneralized the success of CDSs from narrowly specific evidence and applied constant competitive pressure to adopt new financial technologies. These discourses implicitly encouraged the rapid adoption and broad application of CDSs, thus helping to (re)produce a financial culture in which self-interest and short-term gains were prioritized.     

Earthquakes and ancient leaning towers: Geodetic monitoring of the bell tower of San Benedetto Church in Ferrara (Italy)

In May–June 2012, several seismic events took place in the Po River Plane in northern Italy, with a maximum magnitude of M_W 5.86 (M_L 5.9)] and the epicentre located about 32 km from the centre of Ferrara. Many historical buildings were seriously damaged and others showed marked deformations or differential settlements. Therefore, it was necessary to place many of them under monitoring, using fast and safe measurement techniques to quickly obtain accurate information on ongoing structural deformation. This paper presents the case study of the bell tower of San Benedetto Church in Ferrara (17th century), which was already under monitoring at the time of the earthquake because of its remarkable leaning angle. Immediately after the seismic events, monitoring of the bell tower was repeated. Digital levelling indicated a marked differential settlement of the foundations with regard to the trend of secular movement, while terrestrial laser scanning (TLS) revealed a significant increase of the inclination of the tower's axis, confirming the results from levelling and showing good integration of both monitoring techniques.     

“艺术红星”熠熠闪光

红星剧院在文化体制改革中脱颖而出,被誉为“艺术红星”。在市场动作中频频出牌,创立了杭城演艺经营的新样板;作为一个剧院,他们转换“角色”,积极探索“请进来”和“走出去”,开创国际文化流新格局。     

The Jolt of the New: Making Video Art in Arnhem Land

This essay describes the ways that an indigenous aesthetics of the new informs emerging forms of digitally-driven creativity in Aboriginal north Australia. Central is the media art project Christmas Birrimbirr (Christmas Spirit), which began as an ethnographic experiment with digital media and ritual aesthetics. Taken up by Yolngu collaborators as something new and exciting, the project explores uses of video art and more supposedly traditional media to produce ritual in a gallery setting. The imagistic dynamics of the project gave rise to dream visions and ritual innovation resulting in the production of a Christmas unlike anything previously seen in Arnhem Land, or for that matter, anywhere else. The aim of thinking through the idea of newness itself is to get closer to a sense of what the project leader, Paul Gurrumuruwuy, means when he says about our media work: ‘When you make gamununggu (ochre painted sacred design) yuta (new), you make it talk’.     

Asian Americans Beyond the Model Minority Stereotype: The Nerdy and the Left Out

Abstract

Most racial-ethnic stereotypes about Asian Americans are constructed, activated, and perpetuated by the media, but very few empirical studies have ever investigated the extent to which people accept the media stereotypes about Asians. This study applied cultivation theory to examine whether people's perceptions of Asian Americans are consistent with media stereotypes and whether the media activated racial-ethnic stereotypes affect people's interaction behaviors with Asians. Results demonstrate that people's perceptions and judgments about Asian Americans are largely aligned with the media representations, and these stereotypes impact people's intent to interact with Asians. Four specific findings were obtained. First, among racial-ethnic groups in the U.S., Asians are perceived as most likely to achieve academic success; second, Asians are most likely to be perceived as nerds; third, Asians are perceived as most likely to be left out; and last, people are least likely to initiate friendship with Asians and Hispanics.     

Characterisation of wall paintings in the Sos Furrighesos necropolis (Anela,Italy)

The Sos Furrighesos necropolis (Anela) is considered to be one of the most important funerary monuments in Sardinia. The hypogeum consists of various graves, called Domus de Janas, which are decorated with Neolithic mural paintings and sculptures. This work was undertaken in order to clarify which techniques were used in the past, through the identification of pigments and binding media. The samples, scraped off from the paint surface, were studied by using various analytical techniques in order to characterise both the pigments and the binding media. The main problems concerning the characterisation were due to the small sizes (1–5 mg) of the samples and their complex nature. As regards pigments, X-ray diffraction and scanning electron microscopy-energy dispersive X-ray spectrometry analyses were performed on the samples. These techniques are well suited to the characterisation of inorganic pigments and have led to the identification of the red pigment as haematite. In order to characterise the organic binders, the samples were analysed by a procedure based on a gas chromatography–mass spectrometry technique, which allows proteinaceous and lipidic media determination in the same sample. In most of the samples, the presence of egg was suggested.     

Determinants of Prices for Contemporary Art in Dutch Galleries, 1992–1998

We analyse determinants of prices for contemporary art with the help of quantitative data. The focus is on gallery rather than auction prices in the Netherlands. We model the determinants of prices on three different levels: the work of art (size, material), the artist (age, sex, place of residence, institutional recognition), and the gallery (location, institutional affiliation, age). Our main findings are that the size and material of works of art, and the age and place of residence of the artist are strong predictors of price; that differences in size and materials partly ``mask' price differences between artists; and that the variance in prices across galleries is largely explained by characteristics of the artists they represent.     

Peer effects on youth screen media consumption in Catalonia (Spain)

It is well known that young people are major consumers of screen media and that their peers are one of the principal determinants of youth behavior as regards their patterns of consumption and other activities. On the basis of these premises, the purpose of this paper is to analyze the influence of classroom peers on youth screen media consumption. More specifically, it considers the time spent watching TV, playing console games and surfing the Internet. Data are drawn from a single representative survey of secondary school students aged 14–16 in Catalonia (Spain) in 2008. Having accounted for problems of endogeneity, our analysis shows that peer consumption has a positive and statistically significant effect on an individual’s console and Internet use. While the magnitude of this effect is not great in the case of the former use, peer effects are quite marked in that of Internet consumption. Moreover, gender differences are observed when media consumption is examined separately. Thus, peer effects on console use are statistically significant only for boys, while the influence of peers on an individual’s Internet use is higher among boys than it is among girls.